My Weekly Blog |
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18-30.4.07 |
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Michael Knopf played the guitar and sung. I did manage to take Chris to see Sandie Leong, the miraculous masseuse of Indooroopilly (0404 433 700). She knows a lot about acupuncture and herbal medicines as well. She (and arnica!) cure me after my numerous falls. Then Sydney, for son Martin’s wedding. It had been totally arranged by him and Michiko, and I was most impressed by the seemingly flawless operation - both of the wedding and the next 4 days. The wedding was held in the Botanical
Gardens.and had Japanese elements to it. It was a sunny day,
and the setting was just beautiful. At the end
everyone formed a huge circle and sang ‘All you need is love’ in
accompaniment to a recording. Then the families went
off to the Hunter Valley, where we visited 7 wineries (they’re
not called vineyards). I liked Wyndhams sparkling Chardonnay
best. Then
to Port Stephen, which is a suburb of Nelson Bay. It poured
with rain, so we passed a very enjoyable morning in a 10-pin bowling
alley! We also had a meal in a friendly café with
beautiful fresh food. (I’ve left the details in London! sorry)
But it is in Nelson Bay. Since my last few days in Brisbane I had been.trying, unsuccessfully, to locate my nearly-expired passport which I had sent off to Canberra. I had not included the fee (! don’t know why not), but they were proving virtually impossible to deal with by phone. Lyckily I could afford both the time and the money to make a quick trip out to Canberra where a very helpful young man managed to locate my passport and supply me with a new one. |
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| 17.4.07 |
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I heard the Brazillian duo; they were not Brazilians, but they played Brazilian-type music. Peter Walters and Jamie Clark. The Melissa Western quintet played upstairs, they played quite a lot of Brazilian tunes too. On Fri.night there was a miserable audience, but it was better on the Saturday night. Tynee Dyer played trumpet, and Bela Piri on bass. On Sunday we had a Sunday like the ones in our first months, 6 people who ate! That will not pay the rent! On Sunday the Sue Bond quartet played here. This is an AMAZING venue – please, we are sorely in need of a FORTUNE, well, $1,000,000. It would be a major source of regret to Brisbanians and others if it were to be turned into offices. Donald and I ate out in ‘2 small rooms, Donald had rainbow trout, which he filleted from the tail to the head – very cleanly. In Britain one fillets the fish by lifting away the flesh from the head down to the tail, which gave rise to jokes about being ‘down under’. I’ve noticed that a lot of bolts on doors go ‘down under’ too! |
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9.4.07 |
I enjoyed the Ivory Trio, although at first I found their music too ‘backgroundy’. In particular the drummer, Paul Young, played in a very rhythmic and percussive style, with his hands and using the sticks on the rims of the drums, which I loved; Brett Fowler was very good on the keyboard and Pamela Ashman accompanied him (bass) Koko’s Kortete was good, with Peter Walters, Paul Henderson, drummer Mark ? and Christine (vocals). Christine was also a lecturer at Griffith University, as was Hose McLaughlin, who played the guitar here with Peter Walters recently. I also enjoyed the Firefly Jazz Combo. Kylie Southwell had a very pleasant voice, Paul Henderson on guitar and Peter Walter, and some well-known tunes, like “Mood Indigo’ were given unusual renditions. |
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![]() Koko’s Kortete |
![]() Firefly Jazz Combo |
![]() Mick Hadley and his atomic boogie band |
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Mick Hadley and his atomic boogie band were in the Skylight room on Sunday afternoon. The music was very loud, people were dancing – and even drinking a bit(!) and the people with strong ear-drums thoroughly enjoyed it. |
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3 April 2 0 0 7 |
Back in Brisbane again. We had a very bad week at the club, some people just don’t seem to realise that not only do we pay a high rent, but the musicians, staff and food all have to be paid for, so please, everybody, support us, spend a bit more, and don’t let this unique-in-the-world venue go out of business. I went to one of my favourite restaurants on Sunday, Il Centro. There is a Sunday market trading around Il Centro, and I passed the most marvellous stall, selling dolls, but they hung from the ceiling, called ‘which witch is which?’ If you clapped your hands they would burst into cackles, their eyes would light up with enjoyment, and they would kick their legs in glee. The most novel and funny toy I have seen for a long time. Melissa Western and Tynee Dyer were playing outside the next restaurant, it was wonderful to hear them again. They are coming to the club on 13 /14 April, on the 21 Jimmy Styles is coming and on Sun afternoon 22 April John English and Peter Cupples are on. Apparently they are both very well-known and popular - but I hope people will spend a lot. We are opening on Easter Sunday – Mick Hadley will be in the skylight room so that people can dance! For full details check out our web site (it’s good) on <www.maggieblacks.com.au> |
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23 March on |
I went back to Australia via Sydney, where I saw Martin and, very briefly, Michiko. I will next see her at the wedding, when she becomes my daughter-in-law! Martin’s loo is outside and I lost my balance, fell and cracked my head an hour before going to the air-port. The blood alarmed the staff at Virgin Blue, who called ambulance staff and someone even appeared wheeling a stretcher! However, luckily it was just a scrape, and they allowed me to fly. |
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![]() Stringmansassy |
![]() Clare Hansson trio |
![]() Sunset from Maggie Black's balcony |
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Back to Brisbane and the club-restaurant, where Jon and Glen have
been working hard in my absence. Jon has put in long bars upstairs, and
that first weekend, 23 and 24 March, we thought we would break even, but
we still haven’t done so. A group called Stringmansassy were
playing, and I was absolutely amazed at how quiet the audience was Kacy,
the singer, had a lovely voice, and she could imitate tropical bird-song
very well. Arran played the guitar sensitively, and the place was absolutely
packed. Ingrid James was playing in the restaurant with Sean (Cliff?) on
guitar, what a lovely voice she had. And on the Sunday the charming Clare
Hansson trio played a good selection of lively tunes. The
skies in Brisbane are a glorious colour - unbroken blue. And the
sunsets,
although not particularly striking, look good because the colours and outlines
are so sharp and clear.
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| 16-20 March | Come
Friday night and the High Society Jazz Band with the delightful Pauline
Atlan was on; I was pretty tired, and I should have gone back to bed, because
afterwards Pauline asked me what I had thought of her new song. Much to
my embarrassment I had to confess that I must have dropped off momentarily.
The next day, after a good sleep, I went out for lunch to Simy and Patrick’s, with their young daughter, Rebecca. I had caviar d’aubergines, which I will introduce Chris to, They live on the sixth floor, with a lift that starts half-way up the first flight and comes to an end just before the top and being so high, they have a good view of the street with its Parisian houses/flats.. I happened to see that Nina Ferro was appearing that night at the Franc Pinot, another new venue for me. I was enchanted by it, basically it is just one large room, of 3 storeys (but the owners probably have the 3 above as well. The stage is small, set in a corner between the two floors, and it has been imaginatively designed to ensure that the maximum number of clients can see the stage. And the couple running it were extremely nice and helpful; Nina Ferro was very good, a powerful yet pleasing voice with a healthy sense of humour. She sang ‘Bennie’s from heaven’. I bought a really good disc, with her and Dominic Grant (guitar). Sunday I met Marie-Therese and Juliet for an extended lunch at Le Parc aux Cerfs; as it was sunny we walked back through the Luxembourg gardens but as it was cold we didn’t linger. My last night- I went to the Petit Journal where Michel Pastre (sax), Jerome Etcheberry, Louis Mazetier, Guillaume Nouaux and Rafael Dever were on. The sound was really swinging, with a marvellously humorous trumpet from Jerome. This is a young band who will go far! . |
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| 11-15 March | I’ve
already written this, but I’ve lost my USB stick, so I’ll have
to redo it. I went back to London for the weekend. Actually, it was going
to be only one night, but I could get a ticket 6 times cheaper if I went
back for 2 nights, so I went back for two. I think that is pretty iniquitous
of Eurostar. On Sunday Ian Shaw and Claire Martin were at Pizza Express. They were brilliant, very funny. When I arrived Ian was singing a song about being alone again, in the rain, in Spain – with Wayne! And Claire sang a beautiful, moving song called ‘Estarte’. Then back to Paris, where I popped in to the PJSM where a more modern group, led by Rene Courdacher, was playing. Not to my taste, and I left early. But the next night saw me at ‘El Mojito Habana’ where the Washboard Kings were playing with Philippe Audibert on reeds, as Papaz had promised the week before; I felt that the washboard was a bit slow in appearing. That was a brilliant evening. Two former members of a very well-known band throughout France, ‘Les Hariocts Rouges’ were also there – Pierre Lacombe on banjo and Jean-Louis Duroi (trumpet) and Olivier Marchand, whom I had heard the week before playing the drums so well, only he was playing the sousaphone with equal ease, and apparently he also plays the double bass; These French musicians are extraordinarily talented – and so little known! It went on till 3am!!! And then Philippe and Madeleine gave me a lift back. Philippe has a son in Australia, so IF he ever goes to visit him he will play at our club; or jazz restaurant. On Wed Marie-Therese cooked a delicious lunch of ‘aiguilletes de canard’ for Akiko, a Japanese neighbour of hers, and me. In the evening I went to the other side of Paris, near the Moulin Rouge, to the rue le Pic in Montmartre, where Philippe Audibert was playing with Alan Kelly on the guitar. They finished about 8.30, so I went to the PJSM, where I really enjoyed a swinging mainstream group, led by Pierre Kellner (piano), with Didier Dubois on reeds and Patrick Bagueville on trombone. But perhaps the real reason why I enjoyed it so much was because I got chatting to Catherine, a pharmacist, who loved the piano – not only was she excellent company, she kept flattering (?) me by telling me how ‘extraordnaire’ I was! Apparently Pierre Kellner used to be a pharmacist too, and gave it up for jazz! On 15 March, after having tried unsuccessfully to get a copy of The Mooch played by Sidney Bechet, I went to hear Marc Laferriere, Olivier Ferriere, Simon Boyer and Rene Lavenne on trombone, who was not only good but humorous too. The next day I did some shopping - which included finding a copy of the Mooch played by Sidney Bechet. He adds one or two humorous bits, but I prefer Chris Barber’s interpretation. |
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| 8-10 March | Met
up with Marie-Thérèse, who thinks I should have invested
in a flat near hers, and made some money. After a long chatty lunch I
went to see the Five o’clock Jazz band. (Leader was Jacques Minameau..
There was also a tiny singer named Benedicte) Jean Michel was as good as
he seemed on Monday and he played a solo on the penny whistle. (I bet it
costs a lot more than that nowadays!) Christian Bonneau was there on bass
and played a marvellous duet with Olivier Marchand on drums; I’ve
only heard that done in Chris Barber’s Band, in ‘Big Noise
from,Winnitke’. The next day I went to see ‘The sunken treasures of Egypt.’ It is an amazing story: an archaeologist who ‘discovered’ the three sunken cities of Canope, Thonis-Heraklion and part of the port of Alexandria. It started in 1984 and his name was Frank Goddio. Then the exploration and cataloguing of the artefacts was taken over by an (international?) conglomeration. Although these treasures belong to the Egyptian government the IEASM won the right for them to be exhibited abroad or a period of two years. The discoveries covered 16 centuries and the succession of races that inhabited the cities: Greeks, Romans, Byzantines and Arabs. Remains of ancient shrines were found, Since the 18th.century there had been debate as to the exact location of these sunken cities. There was film showing how the artefacts were recovered and cleaned. I found the background noise of the breathing of deep-sea divers very effective. Coming back from the ‘Grand Palais I went to the rue Marboeuf looking for somewhere to eat. As it was after 3 by this time it was proving difficult, and I was told that French people like to see the colour of your money first. As I had met this twice before, both times in the same general area, I can only think it is a regional attitude. It is sad, that this mercenary attitude is creeping in. Anyway, I found a tiny restaurant , very welcoming, called Le Petit Bouchon at 13 rue Tremoille. Tel. 02 47 20 18 18 And very good food, well, the brandade was. That evening I went to see Paris Washboard, who played ‘The Mooch’ for me. Wonderful. It is on their latest record. It is their 20th anniversary in October, and they are planning a 2-day party at the Petit Journal Saint Michel. That might be difficult for me, but I will try to make it. I also learnt that Duke Ellington’s favourite record was ‘the Mooch’ – recorded by Sidney Bechet! I have to try and get it for thee Australians (and me!) to listen to. |
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| March 2007 |
In
the end, I decided to stay at home for a week, and thoroughly enjoyed
being with Chris, he is SO busy, and he still managed to teach me the
rudiments of spread sheeting! I hope to be able to do forward projections
for the club. I’ve only
been in France a day, and the amount I can do is limited, for various reasons.
It was really nice to see and recognise everyone here, I do like the French
habit of kissing and handshaking. Went to the Petit Journal St Michel, the Alligator’s Jazz Band were playing. Unfortunately the leader and clarinettist, Jean-Claude Olivier, had broken his wrist 3 days earlier. He was replaced by Jean-Michel - who was as good, if not better – but not nearly so expressive! (For me, a lot of the pleasure of the music comes from the bearing of the artist on the stage. Phillipe Gibrat was playing the trombone well, and Jacques Caillou, that talented, multi-faceted musician played the cornet, the piano, that funny, whirly thing and he and Jean-Michel did 2 or 3 marvellous improvisations on their penny whistles. I have never heard a duet on the penny whistle before!!! The next night saw me at ‘el Mojito Habana’, another place I quite enjoy, mainly because it is absolutely level, no steps at all. The food is o.k. There is jazz there every Tuesday. This time I heard Maxim Saury, who improvises so brilliantly, Benoit de Flamesnil, Lancelot Chevallier and Papaz on the washboard, who plays standing up and has such a happy face. On Wed. I went to Clementine (rue St. Marc) for lunch. It was such a lovely day that I walked half the way back, cutting through the Galerie Vivienne, where I noted that the tea shop ‘a priori té’ now does lunch, very limited menu, but it looked o.k.. I passed the Banque de France then the Ministry of Culture and Art opposite the galerie Vero-Dado, where I noticed that no19 was a restaurant recommended by both Paris pas cher and the Petit Fute. Then down the rue Jean-Jacques Rousseau, where I noticed an intriguing little bric-à-brac shop called ‘L’oeil du pelican’. Then I caught a bus opposite that beautiful church, ‘St. Germain des Auxerrois’. I heard ‘Fidgety Feet’ in the evening; Terrific camaraderie, leader Jean-Mariez Hurel (tmpt) played terrific duets and long sustained notes with Paddy Sherlock, a talented and extrovert young trombonist; and the rest of the band each gave several excellent solos (Frank Pasca (reeds), Rob Garcia (banjo) , Leonard Souk (dble. Bass) and François Crottin (drums). |
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| February 2007 | A light-hearted
month. I am in a good mood, because tonight we are fully booked. Life
is serious, but there are always good laughs. I am reading a light-hearted
escapist book at the moment about hover car racing by Michael Reilly – a bit
akin to Harry Potter, easy to read and fast paced. I have just finished
a good book, ‘The Horns of the Buffalo’ by John Wilcox about
the battle between the British Army and the Zulus in the 19C. I spotted
a good typo the other day, arminquac instead of Armagnac. I was told about a very good masseuse - and she is, so I have been there 5 times. She is also a doctor, and has been helping my bad falls, The chef, Mitchell Yates, has just brought out a new autumn menu, we had a ‘taste run’ last night; it is simply delicious, with unusual combinations and flavours, and simply delicious rolls, apple and fennel, sun-dried tomato, almond and herb and cheese! And a really wicked chocolate tart! I am leaving on Sunday, but only for 3 weeks. |
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| January 2007 | Brisbane I’ve found a terrific place to live, less than half the price and twice as nice. It is called the villa boheme, which my family thinks is very appropriate for me. Last night as I returned a green frog hopped over the porch. It is a wee bit further to walk, up a steep hill, but I tell myself the exercise is good for me. Speaking of exercise I went swimming the other morning and now am even contemplating saving myself the 5.30 am start to go horse-riding. Mind you, for swimming I get up at the same time. But it is cheaper, neither does it involve a train journey, and I find travelling stressful. That’s a family trait – punctuality, except that I worry about other people not being ready and then I usually hold people up. I spend a lot of time in the jazz club/restaurant, I feel we are on the right track, but we haven’t even broken even yet. This morning, being the last Sunday of the month, I went to the Brisbane Jazz Club for a wonderful breakfast on the sloping floor of the deck right. |
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| Cairns 24.12.06 - 04.01.07 |
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Martin had arranged for us to go to the
reef, with an outfit called ’Passions of Paradise’ We
went to Michaelmas Cay and Paradise Reef. Again I went
Snorkelling with the marine biologist and Martin . The other four
went diving. The three
unattached Stones enjoyed it so much that they went on courses that included
night dives, which sounds really exciting. We all went to Mossman Gorge, where all
the boys swam but Michiko and I didn’t, but I will if there’s
another time. Then back to Port Douglas, my FAVOURITE town,
where we booked in to the Welcome Inn, which I found very
convenient. |
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| 28.11.06 - 24.12.06 | Brisbane What a eventful month! My father always used
to tell me that there was a ‘fey’ gift in our family, as
a child I looked for it eagerly - and unsuccessfully, and that
fact had slipped into oblivion. However, I was feeling uneasy about the
club, so I cut short my holiday by a few days, arriving back in Brisbane
a week early where I found a bit of a mess. However, we
are now under new management, the whole atmosphere has completely changed,
it is happier, more relaxed, and even fun. |
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| Nov. 2006 |
New York At first I was at a bit of a loose end, sounds extraordinary in New York, but I missed the New Orleans atmosphere, the Cajun (where I used to go several times a week) has shut down, and there was no word of my friend, so I feared the worst. And I was tired. So I mooched around the hotel for a couple of days, watching in-room movies and not going out much, spending a lot of time in the business centre - which, because the hotel is expensive, is free - which is MARVELLOUS, keeps me coming back here. Penny wise, pound foolish. However, on the Saturday a couple of friends came up from Philadelphia, which I really appreciated, particularly as one of them had just been seriously ill in hospital. We had a really enjoyable lunch in a superb French restaurant, which was extremely good value. Capsouto Freres, 451 Washington Street, NY. 10013 - Tel.= 212 986 4900 I went to Arthurs Tavern, where some of the musicians in the Creole Cooking Jazz Band recognised me, there was Lee Lorenz, the cartoonist, on trumpet, Jesse Gelber, p, Dave Hofstra, bass, Richard Drywoods on trombone, Ernie ? on clarinet, and a drummer.. I had to leave before the end, to go on to Birdland, where the Django Reinhardt festival was drawing to a close. I saw their last show, which was magnificent., withi a Columbian harpist. The next night I again went to Arthur’s Tavern, (Kevin Dorn, Pete Licori, (Pete) Balance, Bill Dunham, Scott Black and Brian Nelepta). Then on to Jane Monheit, at the Blue Note, who certainly had a fine voice, though on the first hearing I did not care for some of her interpretations. But ‘roses grow on you’! Tues. I went to the Village Vanguard, where I heard Bill Charlap on piano, and Kenny and Peter Washington on drums and bass; Kenny’s timing was magnificent. Wed. I met up with my friend from New York, who was feeling under the weather but who struggled in to meet me. We saw Dave Ostwald’s Gully Low jazz band. Dave was not there, the band was led by Brian Nelepta, and had Joe Muranyi on clarinet. He had played the clarinet in Louis Armstrong’s All Stars, he was really something! Also appearing were Dionne Tucker, tbne, Howard Alden (banjo), Simon Whitenhall (cornet) and Rob Garcia (drums) Then on to Vince Giordano and his nighthawks at the Iridiium, where I saw Dan Levinson, Vince, Brian Nelepta - and the drummer was Rob Garcia! The next day I sat the Gotham City Jazzmen in the O”Donnell library, with wonderful Pete Secolski on the piano, who seems to have an inexhaustible supply of little-known anecdotes about artists, I had lunch at La Bonne Soupe where I meet two bright and friendly people who worked for Dr. Keith Ablow’s radio chat show and invited me along to be in the audience. The first one was about why women went in for prostitution as a career, on a ranch (in Nevada?) I found it so interesting that I went back in the afternoon, where the topic was the racism of one particular Southern woman. I got so angry that I had to leave, my Amnesty instincts surfaced, and I remembered the saying of a French philosopher, (Rousseau?) - ’I may abhor the beliefs of my neighbour, but I would die for his right to express them’ – or something along those lines. Then I saw Anat Cohen, but I didn’t really like the style of music, and on Sunday I went to the Blue Note for brunch and saw Wycliffe Gordon and Jay Leonhart who were really good and full of humour, which kept people’s attention. Then the 27th annual New Orleans and Dixieland jazz festival at San Diego. It took place in the Town & Country Resort in the suburb of Fashion Valley and really was a well-organised American festival. There were seven bands playing simultaneously from 9am – 10 pm. Each venue had a dance floor, and people danced a great deal, which was wonderful to see as there was so much enjoyment. Amongst the new faces were PARIS WASHBOARD, Duke Heitger, Nina Farro, John Gill, Orange Kellin. There was a great deal of brilliant talent, including a 13 year-old saxophonist. I went twice to the Harbor, where I ate at Anthony’s, a
fish restaurant right on the water |
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| 30 Oct-9 Nov |
Chris Owens is one of the ‘legends
of jazz’ (300- Bourbon)
She is a dancer. She has a club on the corner
of Bourbon/St. Louis streets. There is a ‘legends
of jazz park’ which has live music by the steamboat willie’s
jazz band from 6 pm. on Thurs-Sat, unfortunately the
weather was a trifle inclement, but I went once. |
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| 11-28 Oct |
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| 09.10.06 |
I had 1.5 days in Singapore. In spite of my friends’ long
hours I was able to go out for dinner, and then we went on to see Clarissa,
one of Singapore’s best known singers – and she is marvellous. |
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| 26-3O Sep |
Back in Paris. I heard Claude Bolling, with Pierre Maingourd
and Vincent Cordelette. Claude was a joy to listen to, splitting
the evening into two parts as usual; light classical and then rag. Then
Claude Tissendier, with Didier Dubois, Sylvain Glevarec, Phillipe Dervieux
on piano, who was wonderful, with very thin and strong fingers, and Patrice
Soler on bass. They are main stream rather than New Orleans,
but with such swing and excitement in their music. I particularly
liked Blues in the Night, Harlem Nocturne and Caledonia, in the latter
there was a really good boogie-woogie. |
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| 25.9.06 | Back in England again briefly, really just to go to see Harry Allen (sax)
with Joe Cohen (guitar), Chuck Riggs (drums) and Joel Forbes (bass). Also
playing was the James Pearson trio, with James on piano, (good and
terrific energy), Mat Holmes on drums and Stan Burgess on bass. There
was also a singer from Australia who impressed me, Nina Farro
from Melbourne. It would be nice if she came to our club. I
also saw Don Barron, who runs the Blackpool jazz festival, and David
Blenkhorn, the Australian guitarist who plays in Paris, who said he
would come to our club in March, 2007. Evan Christopher
is playing there on New Year’s Eve, Hogmanay, Reveillon. |
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| 11.9.06 |
I
spent a wonderful 3 days in Paris. I went to hear ‘Air,
Swing and Fire’, with charming Nicolas Montier on the sax,
Nicolas Peslier on guitar, Rafael Dever on the bass, Jacques Schneck on
piano and for the first time, Francois Laudet on the drums. Pauline
Atlan was delightful, with her willowy figure. I think she’ll
be a big star, and I hope she can play at our club. Unfortunately
I had left my camera in London. |
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| July/Aug 2006 | I
came out to Australia again sadly missing Edinburgh and Nairn, but
I heard some good music here, particularly the Caxton Street Jazz Band,
with Bob Mair, leader and drums, Paul Williams, reeds, John Braben,
trumpet, Tom, on trombone, vocals (and comedian), Matt Eaves (bass,
great fun and very/good) and Bernice Haydock on piano and vocals, she
has a good voice. |
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![]() 3367 2280 PROGRAMME
GUIDE
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| 3-8.07.06 | I’ve
just discovered that I’ve managed to wipe out the first part
of this week on the computer. I
don’t feel I have time to do it all again,
but in brief: On Monday it was the Alligators Jazz Band, the room
was much better filled than it used to be, Jean-Claude Olivier,
who plays the clarinet, is so expressive. Philippe Gibrat
on trombone, Philippe Vilanyi on piano,(who I suspect was responsible
for attracting some of the younger crowd) Patrick de
Royde on the bass sac, Patrick Renesme on banjo, and that amazing musician,
Jacques Caillon, who played the trumpet, the French horn, the penny whistle,
the piano and a whirly thing that makes a whistling noise,
a few musicians play it, no one seems to know the name of – not
even Jacques himself – he calls it ‘la merde’! Philippe
Mary was a guest singer, he sang well. |
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| 25.6 – 2.7.06 |
Back
in England for a brief few days, time to be with Chris and sort through
the immense pile of post, and buy my train ticket to Whitley Bay, near
Newcastle which I go to next. (I already know that the Red Hot Reedwarmers
with Stephane Gillot and Aurelie Tropewill be there.) But
for now I am back in Paris, listening to some superb music. First it
was Fabrice Eulry, the amazing pianist, together with ‘son ami,
Gilbert Leroux’ whom Fabrice calls the king of the washboard. (Actually,
I much prefer Gerard Bagot). For the final set Fabrice had at least
3 boeufeurs, a young girl Nino, who played the violin (she must be
a protégée of his, I had seen her with him before, and
she was much better, more confidence and poise, this time.) There
was also a young man, Gilles Bert who played the washboard. But
the star boeufeur of the evening was Pierre Yves Plat, the pianist,
who won some award for playing Chopin and also will be one of the leading
boogie woogie pianists. He manages to combine jazz and
classical music. The next night was Claude Bolling with his trio, Pierre Maingourd (bass) and Vincent Cordeleette on drums. He is also well-known for his work in both fields of classical and jazz, and their combination. He has collaborated with the famous flautist, Rampal, and composed ‘Suite for flute’. I forgot to mention a friend’s new venture. I went to Le Village Suisse (off the avenue Sufren; there is a complex of shops there selling fine art and antiquities in a calm and peaceful environment). She has a tiny shop with some rather nice paintings and also some lovely furniture. They are at 22 place de Lausanne. It is called ‘Aduodeco’ On Sundays it is a favourite area for people to stroll in, looking at all the beautiful wares; oriental carpets, paintings, lovely furniture from different eras and even garden stone statues – not kitzchy little garden gnomes, but dogs and lions and ladies in crinolines – more suited to parks or estates than gardens. The shop selling the statues is called La Grande Rue. That is a reference to the Great Exhibition of 1900, when there was a huge ferris wheel, standing on exactly on the spot. Also, there was a miniature Switzerland, with mountains and waterfalls and cows with their cowbells, to let people see the wonders of the world, hence Le Village Suisse. Then Claude Tissendier’s quintet, Altologie. He and Didier Dubois were both on sax, with Sylvain Glevarec on drums. This really swung, very exciting music. On Friday Philippe Audibert was playing. Someone in the quintet had not turned up, and although some tunes were good, I was a bit disappointed. I hadn’t met his other supporting musicians before; Michel Denis on drums, Edmond Caruana on the bass, and Benjamin Intertania on the piano; who seemed promising. I also met a couple from Australia, he was a musician with the Syncopators, who Derek had heard at Wangaratta festival. Saturday night was a pure delight. Le Petit Jazz Band was playing, without a sax or sousaphone, but a good baritone sax called Marc Bresban; There was François Fournet, banjo; Gabriel Conesa, trombone; Bernard Thévin, piano; Alain Marquet, clarinet and Jean-Pierre Morel and Irakli, both on trumpet. They played Snake Rag. They also played some blues, but the entire evening was very joyous. On Sunday I had a lovely day. It was about 30+°, and I spent a lazy day with Marie-Thérèse, first a leisurely French lunch in Le Parc aux cerfs, then we went to the Luxenbourg gardens where we listened to a concert given by some American schools. What a marvellous opportunity for them, to tour Europe for 7 weeks or so, while playing concerts. M-T commented on the dual face of America, these open youths and the staff compared with inward-looking and closed-minded Bush’s foreign policy._. Then dinner at the Bouillon Racine, and another leisurely discussion. She is going to introduce me to a new restaurant on Wednesday. |
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| 20.6.06 | Well, the club opened all right, with the Caxton
Street Jazz and (led by Bob Mair on drums – and
washboard). You can see from his face that he really enjoys playing
it, and it is equally evident that the crowd loves listening. There
was also Bernice Haydock on piano and vocals, (she sings some
terrific numbers, and her voice has a pleasing faint huskiness to it),
John Brabham on trumpet, Matt Eaves on bass, Tom Nic(h)olson on trombone,
vocals (and comic relief) and Paul Williams on reeds. Derek had also
managed, at a few days notice, to get the Bob Barnard trio to come
up from Melbourne, which was quite a coup. His trio were
Laurie Thompson on drums, Derek Capewell on double bass, and Peter
Locke on piano, all of whom were at Bob’s
jazz party in Melbourne at the end of April. Same time
as Blackpool, choices do make life harder! It seems incredible that the club was ready enough for the 15th. And for that I have to thank Neil Bowe and his team of workers. He never seemed overly upset or distraught by leaks, unsecured beams, and the countless disasters that occur during renovations, a man of unflustered reassurance. I am enclosing a few lines written less than a week before opening. |
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| 11.6.06 |
It
really is exciting at the club. Piles of building materials are still lying
around upstairs, but the first floor is nearly finished. The
sofas, tables and chairs have all come. Its just as well,
because all the stairs have been removed for polishing, they are due
to come back today or tomorrow. People go round the back. The
parquet floor is being laid upstairs, so that people can dance. I
would have liked it to be all parquet, perhaps some time in the future…..The computers
have come. Derek’s
PA starts work on Tuesday. Derek is hoping to hire the chef today. It
still looks unbelievable that it will all be ready in time for Thursday,
but Neil, who is overseeing all the building operations, says that
everything is on course Later: the
parquet floor is being sanded and polished; the steps have been
fitted (and look much better, richer in colour) The coffee
tables have arrived, we have to assemble them. With the
heavy rain last night (after being dry for months) leaks have appeared,
which could be very bad news. |
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| 20.5-1.6.06 |
A
quick trip to Singapore,
mainly so that I could then go back to Australia for another 3 weeks,
I had been to Singapore once before, when I had stayed in the fabulous
Raffles hotel. There I met two people who worked in one of the restaurants
there. (I think there are 18, all serving excellent food, from American
through Australian and international to Chinese). Raffles itself was quite
something, wide stone verandahs, wicker chairs, attentive staff - all
very colonial and familiar. Apparently they once found a tiger under a
table. They think it probably escaped from the zoo, which is possible
because very few of the animals are kept in enclosures The mission of
the hotel is to make every stay a memorable one. Winnie and Kar-ho certainly
achieved that with me, they took me to the zoo and to listen to a jazz
singer that evening. So when I went back I resolved to look them up. (Winnie’s
e-mail had bounced.) They had both moved to other jobs, but luckily Winnie
had kept in touch. During the day I visited Boat Quay, a pedestrianized strip of restaurants surrounding an oval strip of water. Also home to Harry’s, a jazz club I had heard of. That evening I met Winnie and we went to the Grand Hyatt hotel, where we had wonderful local food and met the chef, Ban Khin. Then on to the Shangri-la Hotel,, were Kar-Ho now worked, and heard a jazz singer/pianist called Robert Hicks, who was good (and he sometimes sings with Rebecca Kilgore, which helped confirm my opinion. He also told me of another, better jazz club, South Bank, which I’ll go to next time I’m in Singapore.) So, another memorable stay, although I wasn’t at Raffles. I stayed at the Oriental Hotel, part of the Hong Kong chain, Mandarin Oriental. My room had a harbour view, which was worthy of exclamation, and the interior architecture was superb, all different levels, but easy to get around. |
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| 30.5.06 |
I must mention things that always seem too small to put in a blog, like
the marvelous invisible mending shop in Queen Street Mall called Doree,
which has as its advertising slogan a parody of women talking; 'My dear,everyone
knows that the best way to look smart and to save money is to have your
clothes invisibly mended.’ But it really is marvelous, I wish I
knew of similar places in London. Similarly, the internet café I go to in Albert Street; it is run by Koreans, who are all extremely friendly and helpful; it is cheaper than most ones run by Europeans, and there is a loo. It is on the fourth floor but there is a lift. People seem to be more sensible here about the need for toilets, or that might be something to do with being ‘disabled’, or the fact that it is warmer here than in the U.K. I went to the Brisbane Jazz Club last night, where the Inn Swingers were playing. Graems Norris on sax, John Reeves on the keyboard. (very good, but a bit too modern for my taste), Pat Marischella on drums, Helen Russell on bass and Steve Taylor Brown doing the vocals. The night before I heard Mystery Pacific, who are really good, at the Lab Bar. Ewan McKenzie on guitar, along with Steve Wood, and Rick Caskey on double bass. They played several Django Reinhardt songs and I thoroughly enjoyed it. The bar staff, headed by Teal, are very nice. |
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| 28.5.06 |
On Friday evening I went to the Brisbane Jazz Club (BJC) to hear Alan
Western (a strong, confidant vocal who sounded and looked as though he
really enjoyed singing). He was with the Paul Gibens jazz kings, it was
a quartet, Paul on reeds, (sax. S.sax. flute and another instrument that
I didn’t know the name of and forgot to ask). Also Kylie Foster
on the keyboard, who was good, Dan Simpson on the drums (drums are not
my favourite instrument, but I quite enjoyed his playing) and Andy Dowsett
(?) on bass guitar. I was there again on Sunday, for the monthly barbecue-breakfast, always accompanied by Cameron Ford and friends. This morning the friends were Jeremie Nagabdo and Ewan McKenzie, (who luckily could stand in for Shenton Gregory, the elusive violinist) both on guitar, and Peter Walters, who played the bass well. The four tunes I liked best were: Lime Blues, Swing 42, Minor Swing and Dance of the Cygnets – by Tchaikovsky! Rather a surprise, and brilliantly arranged. I learnt that there is a free concert weekly in King George V Square. Jeremie will be playing on the 13th and Des Sanderson on the 6th I think. He plays in the ‘Strange Fruit Quintet’. I want also to mention Fred and Elizabeth Dekkers, the recycling woodworkers. (07 3284 6492) They are comparatively cheap, are very hardworking and have great ideas. |
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| 21-26.5.06 |
I can’t help Derek much because I am not a native of Brisbane,
and haven’t much of a clue about where to go for what, etc. However,
I am trying to get photos of jazz greats for decoration, and also tasting
the coffee for the club. (That is difficult, because I like weaker coffee
than most people – and decaffeinated!). Posters are a fraction the
price of photos, but so far I have only managed to find one, of Miles
Davis who is not my favourite musician. Creek Street is so called because there used to be a creek here (like the rue Bac after the river in Paris.) Most streets in the CBD (Central Brisbane District are named after royalty, with the male names (Edward, George, Albert etc.) running north-south, and the female names like Mary, Margaret, Ann etc. running from east-west. In Nerang there is a ship the Maid of Sker, in the centre of the village. From about 1890 to the 1950’ she used to take cypress wood to Beenleigh and come back with supplies. When she finally stopped she was left rusting in the river for some time until they decided to restore her. On the river walk coming from the restaurant ‘Eves by the water’, there is he “Sir Nathan Hornibrook park” – a glorified name for a strip of grass, a tree and a bench seat but pleasant to sit, overlooking the river, watching life go by and feeling the sun warm your body. I slipped the other day, went to the doctor – same old women’s magazines, but I was well impressed by the treatment, cheaper, faster and more thorough than Britain, although very occasionally it is superb in Britain, I once had to see a doctor in France, and was very well impressed. I also saw another documentary on tv, this time on the medicine in Cuba. Apparently, in spite of the sanctions imposed by America they have a better and cheaper social service, the ratio of doctors to the people is 1:200, there are a lot of foreign students studying medicine and they make drugs cheaper than most other first world countries, so can sell them cheaper to other countries. They are laying the carpet on the lower floor of the club today. It’s looking good! |
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| 17.5.06 |
I have found 2 more art galleries in Brisbane,
One at the QUT, which changes its exhibitions regularly. The masterpieces
of the Hinton collection were here, and also some wood engravings by Lionel
Lindsay (1874-1961). I saw the ceramics collection of Philip McConnell.
He was born in the USA in 1947. His father Carl McConnell was a potter,
and had an exhibition at the Old. Art Gallery. Philip lived in Toowomba
from 1975 – 2005. He now lives in Tasmania. He travelled extensively
in Japan. I also went to the CWM, an art gallery in Alice/Edward St. Although there are heaps of sculptures and paintings, apart from some bright, clean looking paintings near the door by Nick Broughton. I immediately saw 2 large grayish paintings by James Brown. One had a peachy-coloured flower sprouting hopefully and defiantly from a crack in the paving stones of a street. It was called Palermo. He had also travelled extensively in Japan and these paintings show a strong Japanese influence. There wad also some very appealing sculpture, a frog, standing on his hind legs while smoking a cigar, and in a complete change of style, a female with very extenuated legs, a la Giacometti. Both these were by Brett Harrison Allen. |
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| 16.5.06 |
I
saw two good programmes on television the other night, one about religion
in Iran and one about the San Carlos theatre in Naples. Most of the tv.
I watch is not worth writing about, but the programme on Iran showed some
things not often seen, it was quite amazing how she was allowed to film
these religious gatherings. The editor was an Iranian woman who had lived
in the west for some time, and was trying to find her roots, I think.
She traveled widely through Iran, and showed us the beautiful curving
lines of buildings in Peshawar, built when paintings were banned and there
was an architectural renaissance. But mainly she was exploring some of
the different sects; the ones I remember are the Zoroastrians, the male
dervishes and the female dervishes, who were nomadic. Zoroastra pre-dates Christ and Allah. He believed in a force for good, manifested by light, and in a force for evil, which was depicted as dark. But evil was not a separate entity, but came from men’s minds. It was up to man to choose to do the right thing. I suppose the male dervishes and female dervishes were the same sect, just kept apart for purposes of worship, like in the Jewish religion. They would shake their heads in time to the music, loosening their hair, which swung back and forth, and as the chanting increased in tempo, would allow their arms and even their whole bodies to join in. The female dervishes were much the same, with the addition, when they were in a trance, of being able to suppress the feelings in their nerve endings and put their hands on hot metal, walk on hot coal or swallow flames. She ended with a neat saying, something like ’Modern man seeks truth from the outside, whereas the mystic seeks it from within.’ Her name was Aryana Farshid. The San Carlos theatre in Naples. This is the oldest theatre/opera house in Italy, inaugurated in 1737, and is very important to Napolese, who love music. In fact, when the theatre burnt down in 1816, the emperor had it re-built in 300 days, a remarkable feat. It was even more lavish than before, with 6 tiers of boxes and a painted ceiling. In 1825 Rossini was appointed director and after him came Donzetta. The prima donnas came from abroad and often were only there for the dress rehearsal.. So the role of the understudy was extremely important. San Carlos wants to change that. There is a ballet school on the premises. There is a rivalry with La Scala. |
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| 12.5.06 | I
went to the Stamford Plaza hotel last night (pretty swish place) where
Melissa Weston was singing in the courtyard, accompanied by Rohan Somerscran
(sp?) on the keyboard. It was just lovely, it's only a pity there wasn't
more of a crowd, I had heard Rohan the night before, when he played at
the jazz singers jam. Di Clark, Nathan Langford and Catriona Cross were
there, as was Cathy Wilson, Edna Cunningham and rather a good Japanese
girl whose name I did not catch, and Melissa Western's father, who had
a powerful voice and looked as though he really enjoyed singing. On Sunday, after swimming I went to the market at Eagle Pier - some nice things - and had a Shiatsu massage.And had lunch in Il Centro, which is billed as being Queensland's best informal restaurant, and it could well be, I had sand-crab lasagne, which was perfection! |
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| 9.5.06 | Brisbane
- I went out to Numinbah again the following Tuesday, I keep discovering
more about the place. It’s north-western side borders on Lamington
national park, and this beauty and ruggedness, combined with the relaxed
attitude of the owners – and the fact that their staff is very well-trained
and good, have endeared them to film and television crews. This relaxed
attitude spills over into allowing four-wheel drive cars to hold the occasional
rally there, and even into letting a horse off work to stay with her friend! |
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| 6.5.06 |
Brisbane - I ‘found’ a magnificent swimming pool on Thursday, in the grounds of QUT, which in its turn seems to be set at the northern side of the botanical gardens. A wonderful setting. I usually have a drink afterwards in the café, and this morning I even saw a peahen wandering round tamely. Added bonus = the pool is very empty in the morning when the students are at work, and it is open all weekend too (though more crowded then). |
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| 27.2-12.3/06
|
I was in Paris,
but found it too cold to be out much, so I sheltered in the hotel feeling
wimpish. However, I went to 3 art exhibitions, including a very good
one on the similarities between Cezanne and Pissarro, who were good
friends. I met Juliet in the Place de
Montreuil, there is a large flea-market there, which
is about her favourite pastime – and she does find amazing things
there, she once found a lambswool sweater for me! Hard to spot good
things amidst the piles of clothing. Also I went to several restaurants
and a lot of good jazz – including Evan Christopher! It was a
surprise for both of us! He was playing with Sebastien Girardot, (bs),
Dave Blankhorn (gtr) and David Torkanowski on piano and Jack Boudreaux
on drums. Boeufeurs were Benoit de Flamesnil and Jerome Etcheberry.
I saw Fabrice Eulry and Jane Gassman, it was a fun evening. Actually,
all evenings are fun, that is the main reason for my love of this music.
The next night was Claude Bolling, who is well-known internationally,
he mixes classical and jazz, which is what he does in the first set
and devoted the second set to rag and boogie. The boogie is far more
popular in France where the piano seems to be appreciated more. | ||||||||