Maggie Black's world-wide travels with information about restaurants, hotels, galleries, museums. exhibitions, parks, jazz concerts and festivals. Useful snippets of information, such as travel tips on good, but not exorbitantly expensive hotels and restaurants. Also, short cycle rides in France, and toilets on roughly the same level.
See Maggie's other website  hongkongmemories.co.uk
 
My Weekly Blog
 

18-30.4.07

Michael Knopf

Martin and Michiko

Wineries


Chris arrived  in Brisbane on 28th, and straight away he had 3 days of intense business meetings to decide the future of the club.   We cannot afford to buy it.

Michael Knopf played the guitar and sung.  I did manage to take Chris to see Sandie Leong, the miraculous masseuse of Indooroopilly (0404 433 700). She knows  a lot about acupuncture and herbal medicines as well. She (and arnica!) cure me after my numerous falls.

Then Sydney, for son Martin’s wedding. It had been totally arranged by him and Michiko, and I was most impressed by  the seemingly flawless operation - both of the wedding and the next  4  days.

The wedding was held in the Botanical Gardens.and had Japanese elements to it.  It was a sunny day, and the setting was just beautiful. At the end everyone formed a huge circle and sang ‘All you need is love’ in accompaniment to a recording. Then the families  went off to the Hunter Valley, where we visited 7 wineries (they’re not called vineyards).   I liked Wyndhams sparkling Chardonnay best.  Then to Port Stephen, which is a suburb of Nelson Bay.   It  poured with rain, so we passed a very enjoyable morning in a 10-pin bowling alley!   We also had a meal in a friendly café with beautiful fresh food. (I’ve left the details in London!  sorry) But it is in Nelson Bay.

Nelson Bay

Since my last few days in Brisbane I had been.trying, unsuccessfully, to locate my nearly-expired passport which I had sent off to Canberra.  I had not included the fee (! don’t know why not), but they were proving virtually impossible to deal with by phone.   Lyckily I could afford both the time and the money to make a quick trip out to Canberra where a very helpful young man managed to locate my passport and supply me with a new one.

 
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17.4.07


Peter Walters and Jamie Clark
Melissa Western, Tynee Dyer, Rohan Sanskaran, Bela Piri and Steve

 

I heard the Brazillian duo; they were not Brazilians, but they played Brazilian-type music.   Peter Walters and Jamie Clark.   The Melissa Western quintet played upstairs, they played quite a lot of Brazilian tunes too. On Fri.night there was a miserable audience, but it was better on the Saturday night.  Tynee Dyer played trumpet, and Bela Piri on bass.   On Sunday we had a Sunday like the ones in our first months, 6  people who ate!   That will not pay the rent!   On Sunday the Sue Bond quartet played here.  

This is an AMAZING venue – please, we are sorely in need of a FORTUNE, well, $1,000,000.   It would be a major source of regret to Brisbanians and others if it were to be turned into offices. 

Donald and I ate out in ‘2 small rooms, Donald had rainbow trout, which he filleted from the tail to the head – very cleanly.    In Britain one fillets the fish by lifting away the flesh from the head down to the tail, which gave rise to jokes about being ‘down under’.   I’ve noticed that a lot of bolts on doors go ‘down under’ too!

 
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9.4.07

I enjoyed the Ivory Trio, although at first I found their music too ‘backgroundy’. In particular the drummer, Paul Young, played in a very rhythmic and percussive style, with his hands and using the sticks on the rims of the drums, which I loved; Brett Fowler was very good on the keyboard and Pamela Ashman accompanied him (bass) Koko’s Kortete was good, with Peter Walters, Paul Henderson, drummer Mark ? and Christine (vocals). Christine was also a lecturer at Griffith University, as was Hose McLaughlin, who played the guitar here with Peter Walters recently. I also enjoyed the Firefly Jazz Combo. Kylie Southwell had a very pleasant voice, Paul Henderson on guitar and Peter Walter, and some well-known tunes, like “Mood Indigo’ were given unusual renditions.

 
  Koko's Kortete

Koko’s Kortete

Firefly's Jazz Combo

Firefly Jazz Combo

People
Mick Hadley and his atomic boogie band

 
 
Mick Hadley and his atomic boogie band
were in the Skylight room on Sunday afternoon. The music was very loud, people were dancing – and even drinking a bit(!) and the people with strong ear-drums thoroughly enjoyed it.

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3 April 2 0 0 7

Back in Brisbane again. We had a very bad week at the club, some people just don’t seem to realise that not only do we pay a high rent, but the musicians, staff and food all have to be paid for, so please, everybody, support us, spend a bit more, and don’t let this unique-in-the-world venue go out of business. I went to one of my favourite restaurants on Sunday, Il Centro. There is a Sunday market trading around Il Centro, and I passed the most marvellous stall, selling dolls, but they hung from the ceiling, called ‘which witch is which?’ If you clapped your hands they would burst into cackles, their eyes would light up with enjoyment, and they would kick their legs in glee. The most novel and funny toy I have seen for a long time.

Melissa Western and Tynee Dyer were playing outside the next restaurant, it was wonderful to hear them again. They are coming to the club on 13 /14 April, on the 21 Jimmy Styles is coming and on Sun afternoon 22 April John English and Peter Cupples are on. Apparently they are both very well-known and popular - but I hope people will spend a lot. We are opening on Easter Sunday – Mick Hadley will be in the skylight room so that people can dance! For full details check out our web site (it’s good) on <www.maggieblacks.com.au>
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23 March on

I went back to Australia via Sydney, where I saw Martin and, very briefly, Michiko. I will next see her at the wedding, when she becomes my daughter-in-law! Martin’s loo is outside and I lost my balance, fell and cracked my head an hour before going to the air-port. The blood alarmed the staff at Virgin Blue, who called ambulance staff and someone even appeared wheeling a stretcher! However, luckily it was just a scrape, and they allowed me to fly.
 
 
Stringmansassy

Stringmansassy

The Clare Hanson Trio

Clare Hansson trio

Sunset from club balcony

Sunset from Maggie Black's balcony
 
     

Back to Brisbane and the club-restaurant, where Jon and Glen have been working hard in my absence. Jon has put in long bars upstairs, and that first weekend, 23 and 24 March, we thought we would break even, but we still haven’t done so. A group called Stringmansassy were playing, and I was absolutely amazed at how quiet the audience was Kacy, the singer, had a lovely voice, and she could imitate tropical bird-song very well. Arran played the guitar sensitively, and the place was absolutely packed. Ingrid James was playing in the restaurant with Sean (Cliff?) on guitar, what a lovely voice she had. And on the Sunday the charming Clare Hansson trio played a good selection of lively tunes. The skies in Brisbane are a glorious colour - unbroken blue. And the sunsets, although not particularly striking, look good because the colours and outlines are so sharp and clear.


 
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16-20 March
Come Friday night and the High Society Jazz Band with the delightful Pauline Atlan was on; I was pretty tired, and I should have gone back to bed, because afterwards Pauline asked me what I had thought of her new song. Much to my embarrassment I had to confess that I must have dropped off momentarily.

The next day, after a good sleep, I went out for lunch to Simy and Patrick’s, with their young daughter, Rebecca. I had caviar d’aubergines, which I will introduce Chris to, They live on the sixth floor, with a lift that starts half-way up the first flight and comes to an end just before the top and being so high, they have a good view of the street with its Parisian houses/flats..

I happened to see that Nina Ferro was appearing that night at the Franc Pinot, another new venue for me. I was enchanted by it, basically it is just one large room, of 3 storeys (but the owners probably have the 3 above as well. The stage is small, set in a corner between the two floors, and it has been imaginatively designed to ensure that the maximum number of clients can see the stage. And the couple running it were extremely nice and helpful; Nina Ferro was very good, a powerful yet pleasing voice with a healthy sense of humour. She sang ‘Bennie’s from heaven’. I bought a really good disc, with her and Dominic Grant (guitar).

Sunday I met Marie-Therese and Juliet for an extended lunch at Le Parc aux Cerfs; as it was sunny we walked back through the Luxembourg gardens but as it was cold we didn’t linger.

My last night- I went to the Petit Journal where Michel Pastre (sax), Jerome Etcheberry, Louis Mazetier, Guillaume Nouaux and Rafael Dever were on. The sound was really swinging, with a marvellously humorous trumpet from Jerome. This is a young band who will go far! .
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11-15 March
I’ve already written this, but I’ve lost my USB stick, so I’ll have to redo it. I went back to London for the weekend. Actually, it was going to be only one night, but I could get a ticket 6 times cheaper if I went back for 2 nights, so I went back for two. I think that is pretty iniquitous of Eurostar.

On Sunday Ian Shaw and Claire Martin were at Pizza Express. They were brilliant, very funny. When I arrived Ian was singing a song about being alone again, in the rain, in Spain – with Wayne! And Claire sang a beautiful, moving song called ‘Estarte’.

Then back to Paris, where I popped in to the PJSM where a more modern group, led by Rene Courdacher, was playing. Not to my taste, and I left early. But the next night saw me at ‘El Mojito Habana’ where the Washboard Kings were playing with Philippe Audibert on reeds, as Papaz had promised the week before; I felt that the washboard was a bit slow in appearing. That was a brilliant evening. Two former members of a very well-known band throughout France, ‘Les Hariocts Rouges’ were also there – Pierre Lacombe on banjo and Jean-Louis Duroi (trumpet) and Olivier Marchand, whom I had heard the week before playing the drums so well, only he was playing the sousaphone with equal ease, and apparently he also plays the double bass; These French musicians are extraordinarily talented – and so little known! It went on till 3am!!! And then Philippe and Madeleine gave me a lift back. Philippe has a son in Australia, so IF he ever goes to visit him he will play at our club; or jazz restaurant.

On Wed Marie-Therese cooked a delicious lunch of ‘aiguilletes de canard’ for Akiko, a Japanese neighbour of hers, and me. In the evening I went to the other side of Paris, near the Moulin Rouge, to the rue le Pic in Montmartre, where Philippe Audibert was playing with Alan Kelly on the guitar. They finished about 8.30, so I went to the PJSM, where I really enjoyed a swinging mainstream group, led by Pierre Kellner (piano), with Didier Dubois on reeds and Patrick Bagueville on trombone. But perhaps the real reason why I enjoyed it so much was because I got chatting to Catherine, a pharmacist, who loved the piano – not only was she excellent company, she kept flattering (?) me by telling me how ‘extraordnaire’ I was! Apparently Pierre Kellner used to be a pharmacist too, and gave it up for jazz!

On 15 March, after having tried unsuccessfully to get a copy of The Mooch played by Sidney Bechet, I went to hear Marc Laferriere, Olivier Ferriere, Simon Boyer and Rene Lavenne on trombone, who was not only good but humorous too. The next day I did some shopping - which included finding a copy of the Mooch played by Sidney Bechet. He adds one or two humorous bits, but I prefer Chris Barber’s interpretation.
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8-10 March
Met up with Marie-Thérèse, who thinks I should have invested in a flat near hers, and made some money. After a long chatty lunch I went to see the Five o’clock Jazz band. (Leader was Jacques Minameau.. There was also a tiny singer named Benedicte) Jean Michel was as good as he seemed on Monday and he played a solo on the penny whistle. (I bet it costs a lot more than that nowadays!) Christian Bonneau was there on bass and played a marvellous duet with Olivier Marchand on drums; I’ve only heard that done in Chris Barber’s Band, in ‘Big Noise from,Winnitke’.

The next day I went to see ‘The sunken treasures of Egypt.’ It is an amazing story: an archaeologist who ‘discovered’ the three sunken cities of Canope, Thonis-Heraklion and part of the port of Alexandria. It started in 1984 and his name was Frank Goddio. Then the exploration and cataloguing of the artefacts was taken over by an (international?) conglomeration. Although these treasures belong to the Egyptian government the IEASM won the right for them to be exhibited abroad or a period of two years. The discoveries covered 16 centuries and the succession of races that inhabited the cities: Greeks, Romans, Byzantines and Arabs. Remains of ancient shrines were found, Since the 18th.century there had been debate as to the exact location of these sunken cities. There was film showing how the artefacts were recovered and cleaned. I found the background noise of the breathing of deep-sea divers very effective.

Coming back from the ‘Grand Palais I went to the rue Marboeuf looking for somewhere to eat. As it was after 3 by this time it was proving difficult, and I was told that French people like to see the colour of your money first. As I had met this twice before, both times in the same general area, I can only think it is a regional attitude. It is sad, that this mercenary attitude is creeping in. Anyway, I found a tiny restaurant , very welcoming, called Le Petit Bouchon at 13 rue Tremoille. Tel. 02 47 20 18 18 And very good food, well, the brandade was.

That evening I went to see Paris Washboard, who played ‘The Mooch’ for me. Wonderful. It is on their latest record. It is their 20th anniversary in October, and they are planning a 2-day party at the Petit Journal Saint Michel. That might be difficult for me, but I will try to make it. I also learnt that Duke Ellington’s favourite record was ‘the Mooch’ – recorded by Sidney Bechet! I have to try and get it for thee Australians (and me!) to listen to.
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March 2007

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In the end, I decided to stay at home for a week, and thoroughly enjoyed being with Chris, he is SO busy, and he still managed to teach me the rudiments of spread sheeting! I hope to be able to do forward projections for the club. I’ve only been in France a day, and the amount I can do is limited, for various reasons. It was really nice to see and recognise everyone here, I do like the French habit of kissing and handshaking.

Went to the Petit Journal St Michel, the Alligator’s Jazz Band were playing. Unfortunately the leader and clarinettist, Jean-Claude Olivier, had broken his wrist 3 days earlier. He was replaced by Jean-Michel - who was as good, if not better – but not nearly so expressive! (For me, a lot of the pleasure of the music comes from the bearing of the artist on the stage. Phillipe Gibrat was playing the trombone well, and Jacques Caillou, that talented, multi-faceted musician played the cornet, the piano, that funny, whirly thing and he and Jean-Michel did 2 or 3 marvellous improvisations on their penny whistles. I have never heard a duet on the penny whistle before!!!

The next night saw me at ‘el Mojito Habana’, another place I quite enjoy, mainly because it is absolutely level, no steps at all. The food is o.k. There is jazz there every Tuesday. This time I heard Maxim Saury, who improvises so brilliantly, Benoit de Flamesnil, Lancelot Chevallier and Papaz on the washboard, who plays standing up and has such a happy face.

On Wed. I went to Clementine (rue St. Marc) for lunch. It was such a lovely day that I walked half the way back, cutting through the Galerie Vivienne, where I noted that the tea shop ‘a priori té’ now does lunch, very limited menu, but it looked o.k.. I passed the Banque de France then the Ministry of Culture and Art opposite the galerie Vero-Dado, where I noticed that no19 was a restaurant recommended by both Paris pas cher and the Petit Fute. Then down the rue Jean-Jacques Rousseau, where I noticed an intriguing little bric-à-brac shop called ‘L’oeil du pelican’. Then I caught a bus opposite that beautiful church, ‘St. Germain des Auxerrois’. I heard ‘Fidgety Feet’ in the evening; Terrific camaraderie, leader Jean-Mariez Hurel (tmpt) played terrific duets and long sustained notes with Paddy Sherlock, a talented and extrovert young trombonist; and the rest of the band each gave several excellent solos (Frank Pasca (reeds), Rob Garcia (banjo) , Leonard Souk (dble. Bass) and François Crottin (drums).
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February 2007
A light-hearted month. I am in a good mood, because tonight we are fully booked. Life is serious, but there are always good laughs. I am reading a light-hearted escapist book at the moment about hover car racing by Michael Reilly – a bit akin to Harry Potter, easy to read and fast paced. I have just finished a good book, ‘The Horns of the Buffalo’ by John Wilcox about the battle between the British Army and the Zulus in the 19C. I spotted a good typo the other day, arminquac instead of Armagnac.

I was told about a very good masseuse - and she is, so I have been there 5 times. She is also a doctor, and has been helping my bad falls, The chef, Mitchell Yates, has just brought out a new autumn menu, we had a ‘taste run’ last night; it is simply delicious, with unusual combinations and flavours, and simply delicious rolls, apple and fennel, sun-dried tomato, almond and herb and cheese! And a really wicked chocolate tart! I am leaving on Sunday, but only for 3 weeks.
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January 2007
Brisbane
I’ve found a terrific place to live, less than half the price and twice as nice. It is called the villa boheme, which my family thinks is very appropriate for me. Last night as I returned a green frog hopped over the porch. It is a wee bit further to walk, up a steep hill, but I tell myself the exercise is good for me. Speaking of exercise I went swimming the other morning and now am even contemplating saving myself the 5.30 am start to go horse-riding. Mind you, for swimming I get up at the same time. But it is cheaper, neither does it involve a train journey, and I find travelling stressful. That’s a family trait – punctuality, except that I worry about other people not being ready and then I usually hold people up. I spend a lot of time in the jazz club/restaurant, I feel we are on the right track, but we haven’t even broken even yet. This morning, being the last Sunday of the month, I went to the Brisbane Jazz Club for a wonderful breakfast on the sloping floor of the deck right.

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Cairns 24.12.06 -  04.01.07

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  Hotel Prisoners of warHotelPOWs    
 
Photo of me



Martin with mermaid in diving gear



Cathedral fig tree


Two nephews, two sons, one fiancée and me all spent this time in Cairns.   We did not seem   to do much, mostly lazed around.   We were staying at the Colonial Club in Cairns, with three pools, 3 restaurants and wonderful tropical vegetation.   I even saw the bat plant in flower.

The family played ping pong, (The photo makes then look like a bunch of P.O.W’s, by Australian standards)

Martin had arranged for us to go to the reef, with  an outfit called ’Passions of Paradise’   We went to Michaelmas Cay  and Paradise Reef.   Again I went Snorkelling with the marine biologist and Martin .  The other four went diving.   The three unattached Stones enjoyed it so much that they went on courses that included night dives, which sounds really exciting.

We hired a car and drove  to the Atherton Highlands.   We visited the cathedral fig tree.

Martin was the only one to swim in Lake Barrine, but all 3 of us swam in Lake Eacham  which was so refreshing.

We all went to Mossman Gorge, where all the boys swam but Michiko and I didn’t, but I will if there’s another time.   Then back to Port Douglas, my FAVOURITE town, where we booked in to the Welcome  Inn, which  I found very convenient.

In  the early evening I got on a barstool next to Donald and started  chatting away – only to discover it wasn’t Donald, but a total stranger!   However,   by this stage of the holidays I was collecting cocktail recipes, and I had spotted one with a fascinating name which I decided to try – DRUNKEN CANE TOAD!   Rum, triple sec, passion fruit, lemon juice and ginger  ale.   It was good- but halfway through I fell off the bar stool – who would believe I wasn’t drunk?    

That evening we ate at Mango Jam, which sadly stopped playing live music some years ago.   The next morning we had ‘Breakfast with the Birds’, saw the crocs, koalas, cassiowary and marsupials, and ducks, then made our way back to Cairns.

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28.11.06 - 24.12.06

Brisbane

What a eventful month!   My father always used to tell me that there was a ‘fey’ gift in our family, as a child I looked for it eagerly - and unsuccessfully, and  that fact had slipped into oblivion. However, I was feeling uneasy about the club, so I cut short my holiday by a few days, arriving back in Brisbane a  week early where I found a bit  of   a mess.   However,  we are now under new  management, the whole  atmosphere has completely   changed, it is happier,   more  relaxed,  and even fun.  

Maggie  Black’s is now officially a jazz restaurant, with a small  1, 2 or 3-piece playing   while  Mitchell  Yates, the chef, titillates our taste buds.   Then you can go upstairs to the   amazing skylight room for further enjoyment of your senses and completion of  your entertainment. Glen  Muirhead is proving admirable on IT, already we  have a  higher profile publicity-wise.   Jon Rawlings is proving an extremely capable ‘interim’ manager, and has already come  up with good ideas.
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Nov. 2006

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New York

At first I was at a bit of a loose end, sounds extraordinary in New York, but I missed the New Orleans atmosphere, the Cajun (where I  used to go several times a week) has shut down, and there was no word of my friend, so I feared the worst. And I was tired.  So I mooched around the hotel for a couple of days, watching in-room movies and not going out much, spending a lot of time in the business centre  - which, because the hotel is expensive, is free - which is MARVELLOUS, keeps me coming back here. Penny wise, pound foolish.  However, on the Saturday a couple of friends came up from Philadelphia, which I really appreciated, particularly as one of them had just been seriously ill in hospital.   We had a really enjoyable lunch in a superb French restaurant, which was extremely good value. Capsouto Freres, 451 Washington Street,  NY. 10013 - Tel.= 212 986 4900

I went to Arthurs Tavern, where some of the musicians in the Creole Cooking Jazz Band  recognised me, there was Lee Lorenz,  the cartoonist, on trumpet, Jesse Gelber, p, Dave Hofstra, bass, Richard Drywoods on trombone, Ernie ? on clarinet, and a drummer..  I had to leave before the end, to go on to Birdland, where the Django Reinhardt festival was drawing to a close.   I saw their last show, which was magnificent., withi a Columbian harpist.   The next night I again went to Arthur’s Tavern, (Kevin Dorn, Pete Licori, (Pete) Balance, Bill Dunham, Scott Black and Brian  Nelepta).   Then on to Jane Monheit, at the Blue Note, who certainly had a  fine voice, though on the first hearing I did not care for some of her interpretations.   But ‘roses grow on you’!

Tues. I went to the Village Vanguard, where I heard Bill Charlap on piano, and Kenny and Peter Washington on drums and bass;  Kenny’s timing  was magnificent.

Wed. I met up  with my friend from New York, who was feeling under the weather but  who  struggled in to meet me.   We saw Dave Ostwald’s Gully Low jazz band.  Dave was not there, the band  was led by Brian Nelepta, and had Joe Muranyi on  clarinet. He had played the clarinet in Louis Armstrong’s All Stars,  he was really something!    Also appearing were Dionne Tucker, tbne, Howard Alden (banjo), Simon Whitenhall (cornet) and Rob Garcia (drums) Then on to Vince Giordano and his nighthawks at the Iridiium, where I saw Dan Levinson, Vince, Brian   Nelepta  -  and the drummer was Rob  Garcia!  The next day I sat the Gotham City Jazzmen in the O”Donnell library, with wonderful Pete Secolski  on the piano, who seems to have an inexhaustible supply of little-known anecdotes about artists,  I had lunch at La Bonne Soupe where I meet two bright and friendly people who worked for Dr. Keith Ablow’s radio chat show and invited me along to be in the audience.   The first one was  about why women went in for prostitution as a career, on a ranch (in Nevada?)   I found it so interesting that I went back in the afternoon, where the topic was the racism of one particular Southern woman.   I got so angry that I had to leave, my Amnesty instincts surfaced, and I remembered  the saying of a French philosopher, (Rousseau?) - ’I may abhor the beliefs of my neighbour, but I would die for his right to express them’ – or something along those lines.   Then I saw Anat Cohen, but I didn’t really like the style of music, and on Sunday I went to the Blue Note for brunch and saw Wycliffe Gordon and Jay Leonhart who were really good and full of humour, which kept people’s attention.   Then the 27th annual New Orleans and Dixieland jazz festival at San Diego.   It took place in the Town & Country Resort in the suburb of Fashion Valley and really was a well-organised American festival.   There were seven bands playing simultaneously from 9am – 10 pm.   Each venue had a dance floor, and people danced a great deal, which was wonderful to see as there was so much enjoyment.   Amongst the new faces were PARIS WASHBOARD, Duke Heitger, Nina Farro, John Gill, Orange Kellin.   There was a great deal of brilliant talent, including a 13 year-old saxophonist.

I went twice to the Harbor, where I ate at Anthony’s,  a fish restaurant right on the water
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30 Oct-9 Nov
New Orleans.   I  always stay in  the French Quarter,  in   the Provincial Hotel, which I find convenient and comfortable (the bed is a high four-poster that I need a stool to climb into!) It is not as full of tourists as it was before Katrina (although I  don’t mind that).  I have been to Irene’s cuisine again, it is very good. I have also found the Palm Court jazz café again, 1204  Decatur, open from Wed thru Sunday. The owner says  that it opened in 1989, and after the hurricane on 19 October, 2005. It seems to typify the spirit of New Orleans, greatmusic, enjoyment, dancing, and caring about the community.


Palm Court Jazz Cafe
Duke heitger

Ronald Johnson


I was lucky, Duke Heitger, that marvellous trumpeter,    was playing there three  times that week. Also on trumpet was the incredible 95-yr-old Lionel Firske. There were also Brian O’Connell on clarinet, also Otis Bazoon and Tim Laughlin; Chuck Bailey on vocals and bass Singers Topsy Chapman and Thais Clark,  the latter had such a powerful voice, and a   good manner of warming up Friday night crowds.   On piano were Jamie White and Bob Molinelli;  Shannon Powell, Andrew Hall and Mayumi on drums, Freddie Lonzo and the wonderful Ronald Johnson on trombone, exuding enjoyment and good humour. Les Muskett was on banjo.

Chris Owens is one of the ‘legends of jazz’ (300- Bourbon) She is a  dancer.  She  has a club on  the corner of Bourbon/St. Louis  streets.   There is a ‘legends of jazz park’ which has live music by  the steamboat willie’s jazz band from 6 pm. on Thurs-Sat, unfortunately the weather was a trifle inclement, but I went once.

On the Sun. I went to the café Brazil, in Frenchman St. and l loved it, it was a  Sunday afternoon dance, mainly for a local people, with   terrific New Orleans music, and I loved feeling part of New Orleans,   Then Snug Harbor where Evan Christopher was playing with Tom McDermott, which   was the  highlight of this trip. 

Actually, the real highlight was Wed night, when I was again at the  Palm Court café, with Evan Christopher, Ronald Johnson, Tom Fisher, Shannon Powell, Nobu and a pianist.   I met up with am Australian I’d met at the club, and two from NZ who will try to get Evan a gig in Sydney.  And I DANCED!!!

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11-28 Oct

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Maggie Black's house band

Peter Freeman

An exciting time;  our club is about to break even, first time in over four months of low winter audiences. (I HOPE)  I am proud of the fact that Andy and Rupert Jenner (clarinet and guitar) have been billed as 'Maggie Black's house band', although I think Derek means that to be a generic name  for any duo who performs in that evening slot.  They are really good, though – no wonder, it turns out that Andy Jenner founded the Vintage Jazz Band in 1973 who no longer play together but who Derek was instrumental in getting some of the members up from Melbourne, they played to a full house on Sat. 27 Oct. And they were good, the singer, Eva Cox, the banjoist, Johnny Cox, John Braben, Mike Hawthorne, Peter Freeman, Jo Bloomfield, Bob Watson and Andy Jenner; who also founded  the Caxton Street Jazz Band, who again played to a full house two weeks earlier.  David Bentley also played once a week, and Jimmy Styles and the Easy Company. and for my last day, the Clare Hanson trio played. They are always enjoyable, as Clare seems to be a star of happiness and  good humour.

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09.10.06

I had 1.5 days in Singapore.   In spite of my friends’ long hours I was able to go out for dinner, and then we went on to see Clarissa, one of Singapore’s best known singers – and she is marvellous.  

She is Costa Rican, sings in Portuguese as fluently as English (and presumably in several other languages as well!)  Of course I would love her to come to the club, but we have to be fairly cautious, but the way bookings are flooding in it shouldn’t be too long.

Apart from that I wasn’t very adventurous.     I went to the Marine Plaza shopping mall to look at the art gallery, but it was closed for renovation.    So I walked along to the merlion, which is Singapore’s national symbol, it stands (just the head, it doesn’t seem to have a body).   I also located Harry’s Bar and South Bridge, the two jazz clubs in Singapore, although most of the big hotels have jazz or piano.

I was staying  in the  Marina Mandarin, which I  liked; the best feature was that  all day it was filled with jungle birdsong.   Glorious! 

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26-3O Sep

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Back in Paris.   I heard Claude  Bolling, with Pierre Maingourd and Vincent Cordelette.   Claude was a joy to listen to, splitting the evening into two parts as usual;  light classical and then rag.   Then Claude Tissendier, with Didier Dubois, Sylvain Glevarec, Phillipe Dervieux on piano, who was wonderful, with very thin and strong fingers, and Patrice Soler on bass.   They are main stream rather than New Orleans, but with such swing and excitement in their music.   I particularly liked Blues in the Night, Harlem Nocturne and Caledonia, in the latter there was a really good boogie-woogie.

Then I heard Irakli, with Jacques Schneck, Jean-Claude Onesta, Pierre Maingourd, Guy Bonne on clarinet and Michel Denison drums, with a whole lot of boefeurs: Benoit de Flamesnil, Bernard (a young drummer), Marcel Zanini (vocals and clarinet), Ivan (on bass, he looked great fun) and a young and talented pianist, Jean-Baptiste Franc.  As well as playing ‘Shine’ with the band, he played a solo piece with beautiful expression, I could hear soft comments of appreciation from the audience at the end.

The High Society Jazz band were playing the next  night, William  Conquy, Frederic Isermann, Francois Crottin,  (Francis Quettier  guested, of the Southern Stompers) , Irakli and Franck Duffroi, both on trumpet – and of course Pauline Atlan.

Then back to London, where I saw the Pizza Express All Stars, led by Tommy Whittle, with Julian Marc Stringle, Enrico Tomasso, Roy Williams, Martin Litton, Len Skeat and Alan Ganly. Tonight I am going to the River Bar to see Alan Beechey    and his Bright Stars of jazz, Heather Birt on bass, Graham Hughes (tbne), Richie Howard (clarinet), Andre Ruiz Palma (guitar), Domidnic Coles on drums, and possibly Charles Condy on piano.
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25.9.06

Back in England again briefly, really just to go to see Harry Allen (sax) with Joe Cohen (guitar), Chuck Riggs (drums) and Joel Forbes (bass).   Also playing was the James Pearson trio, with James on piano, (good and terrific energy), Mat Holmes on drums and Stan Burgess on bass.   There was also a  singer from Australia who impressed me, Nina Farro from Melbourne.   It would be nice if she came to our club.   I also saw Don Barron, who runs the Blackpool jazz festival, and David Blenkhorn, the Australian guitarist who plays in Paris, who said he would come to our club in March, 2007.   Evan Christopher is playing there on New Year’s Eve, Hogmanay, Reveillon.
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11.9.06

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I spent a wonderful 3 days in Paris.   I went  to hear ‘Air, Swing  and Fire’, with charming Nicolas Montier on the sax, Nicolas Peslier on guitar, Rafael Dever on the bass, Jacques Schneck on piano and for the first time, Francois Laudet on the drums.   Pauline Atlan was delightful, with her willowy figure.   I think she’ll be a big star, and I hope she can play at our club. Unfortunately I had left my camera in London.

The next night was Paris Washboard, who are already international stars, and wonderful. And on Saturday it was the farewell appearance of Le Petit Jazz Band.   I always enjoyed their performances, but I will be seeing them all again in different groups.   Au revoir, Gerard Gervois (tuba), Francois Fournet (banjo), Bernard Thevin (piano), Gabriel Conessa (trombone), Jean-Pierre Morel (trumpet), Alain Marquet (clarinet) and Michel Bescont(sax). Nicolas Montier was guesting there.

I went to  the Musee Rodin it is gorgeous.   I  didn’t send very long there, I  will be going back there on Sat. or Sun. with Chris.  I also went to a nice restaurant called Pasco, set up by a couple of friends from S.W. France, to enjoy, to enjoy good food, good company and good conversation.   I mean to take Chris here.

 
July/Aug 2006

I came out to Australia again sadly missing Edinburgh and Nairn, but I heard some good music here, particularly the Caxton Street Jazz Band, with Bob Mair, leader and drums, Paul Williams, reeds, John Braben, trumpet, Tom, on trombone, vocals (and comedian), Matt Eaves (bass, great fun and very/good) and Bernice Haydock on piano and vocals, she has a good voice. 

The Braben/Jenner Hot Five were also good, with John Breben, trumpet, Andy Jenner, reeds, Bob Mair on drums, Wally First on banjo, and Joe Epps on tuba.   They managed to play The Mooch without a trombone, with Joe Epps on tuba, and it was really fun.   The Clare Hanson trio also played it for me, which was amazing, a piano, (Clare) a guitar (Val[m] Jones) and drums (Geoff Ovenden) Clare has shot up in my estimation, because she remembered the Mooch was one of my favourite songs, went to all the trouble of finding  the right chords (in a rare recording by Toots Teillerman). It was a terrific surprise.   They also played Cute, by Neil Hefti (who wrote Girl Talk) which has a great drum solo.   Also Andrew Shaw (bass), Jeff Usher (a blind singer) with Bela   Piri (bass) and Joe Marieschella (drums).

 
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Maggie Black's The Jazz Experience

3367 2280

www.maggieblacks.com.au

PROGRAMME GUIDE


Fri 11th Aug

Mick Hadley & the Atomic Boogie Band
Mick Hadley – vocals/harmonica
Craig Claxton – vocals/guitar
Glen Muirhead – keyboard
Keith Megson – drums
 Kevin Howard – electric bass
Skylight Room  8.00pm – 11.30pm
Cover Charge $15

Sat 12th Aug
Brett & Clare’s Dilemma
Brett Iggulden – brass/reeds/vocals
Clare Hansson – piano
Peter Freeman – bass
Mauri Thomas – drums
Skylight Room  8.00pm – 11.30pm
Cover Charge $15

Sun 13th Aug
Bill Croft Five Stars
Bill Croft – reeds
Jo Epps – trombone/tuba
Russell Baynes – guitar
Peter Freeman – bass
Mike Ross – drums/vocals
Lounge Bar 2.30pm – 6.00pm

 Wed 16th Aug
Spontaneous Combustion
Ben Carr – saxophone
Paul Henderson – guitar
Georgia Weber – bass
Sacha Kloostra – drums
Skylight Room  8.00pm – 10.30pm
Cover Charge $15/$10 JQ members

 


Thur 17th Aug

Caxton Street Jazz Band
John Braben – trumpet
Paul Williams – reeds
Bernice Haydock – piano
Matt Eves – bass
Bob Mair – drums
Skylight Room  8.00pm – 11.30pm
Cover Charge $15

Fri 18th Aug
Jimmy Styles & the Easy Company
Tim Hills – vocals
Angie Gadd – trombone
Jim – trumpet
Vaughn Morrisey – saxophone
Greg Polanski – bass
Matthew Taylor – drums
James Binson – decks
Matthew Clarke – guitar
Skylight Room  8.00pm – 11.30pm
Cover Charge $15

Sat 19th Aug
The View from Madeleine’s Couch
Anje West – vocals/percussion
Kym Ambrose – vibes
Owen Newcomb – bass
Mark Henman – drums
Skylight Room  8.00pm – 11.30pm
Cover Charge $15

Sun 20th Aug
Louisa Francis Trio
Louisa Francis – vocals
Toby Wren – guitar
Owen Newcomb – bass
Lounge Bar
2.30pm – 6.00pm

 

Wed 23rd Aug
Wendy Murray Quintet
Wendy Murray – vocals
Louise Denson – piano
Jeremy O’Connor – bass
Sacha Kloostra – drums
John Stefulj – saxophone
Skylight Room  8.00pm – 10.30pm
Cover Charge $15/$10 JQ members

Thu 24th Aug
David Bentley/Andrew Shaw
David Bentley – keyboard/vocals
Andrew Shaw – bass
Lounge Bar
8.00 – 11.00pm

Fri 25th Aug
Melodies & Mayhem
Ian Maurice – vocals/frivolity
Gourmet Bob – BBQ/wisecracks
Viv Middleton – piano
Skylight Room 10.30am – 12.30pm
Cover Charge $11

Irene Bartlett Quartet
Irene Bartlett – vocals
Viv Middleton – piano
Loch Easton – bass
Skylight Room 8.00 – 11.30pm
Cover Charge $15

Sat 26th Aug
Di Bird’s Red Hot & Blue
Di Bird – vocals
Peter Locke – piano
Ed Gaston – bass
Fabian Helvia – drums
Skylight Room  8.00pm – 11.30pm
Cover Charge $15

Sun 27th Aug
Bill Croft Five Stars
Bill Croft – reeds
Jo Epps – trombone/tuba
Russell Baynes – guitar
Peter Freeman – bass
Mike Ross – drums/vocals
Lounge Bar 2.30pm – 6.00pm

 

 

Tue 29th Aug
Megan Washington
DVD Recording
Megan Washington – vocals
Skylight Room
8.00pm

Wed 30th Aug
Red Pendulum
Dan Quigley – trumpet
Dave Spicer – piano
Dave Girvan – bass
Steve Powell – drums
Skylight Room  8.00pm – 10.30pm
Cover Charge $15/$10 JQ members

Thu 31st Aug
David Bentley CD Launch
David Bentley – piano
Greg Lyon – electric bass
Jim Kelly – guitar
Jo Marchisella – drums

 

 

 

 



 
3-8.07.06

I’ve just discovered that I’ve managed to wipe out the first part of this week on the computer.  I don’t feel   I have time to   do it all again, but in brief:  On Monday it was the Alligators Jazz Band, the room was much better filled than it used to be, Jean-Claude  Olivier, who plays the clarinet, is so expressive.   Philippe Gibrat on trombone, Philippe Vilanyi on piano,(who I suspect was responsible for attracting some of the  younger crowd)   Patrick de Royde on the bass sac, Patrick Renesme on banjo, and that amazing musician, Jacques Caillon, who played the trumpet, the French horn, the penny whistle, the piano and   a whirly thing that makes a whistling noise, a few musicians play it, no one seems to know the name of – not even Jacques himself – he calls it ‘la  merde’!   Philippe Mary was  a guest singer, he sang well.

Tuesday I went to a new jazz club that one of the musicians was appearing I knew 4 of the musicians, Maxim Saury on  clarinet, Benoit de Flamesnil on trombone, Gilles Bert on washboard, Patrick Richard on piano and Stefan Poutriot on bass.   First I went for a drink in the Tabac  de  la Sorbonne, and met an interesting  man - a poet who did ‘slam’ which I gather is like some ‘a capella’ poetry, performed by a group, line about.   I was going to go along, until I discovered that some of my favourite musicians were unexpectedly appearing at the Petit Jourmal.

Wednesday I was introduced to a ‘new’ restaurant by Marie-Therese, Pre Verre, where the emphasis is on different, unusual and possibly exotic spices.   They did a lunch menu for 12.50.  Very good – except that he toilets were downstairs!!   In the evening  I went to hear Gerard Siefert on trumpet with Marie-Ange and Alice Bassiet on guitar and Lawrence Souk on the bass (he plays with ‘Fidgety Feet). Thurs I had a really enjoyable lunch with a friend who turned up on her bicycle – it is a   super mode of transport – makes you feel young, ALIVE and pretty.   Then we went to the Luxembourg Gardens to listen to a concert given by a group of pupils aged between 12 and 17 from California..     It was a group called Déjà vu.    I just loved the small group of singers they had, who did a kind of jazzy rap.  The whole concert was really exciting, although  I found some  of the music a bit modern.   The enthusiasm of the pupils was such that it fired up the whole audience.    There was practically a standing ovation at the end.

In the evening Pauline Atlan stood in for an ill artist backed up by Nicolas Montier on sax, Nicolas Peslier on the guitar and Pierre Maingourd (Claude Bolling’s bassist).

Friday I went to the  Senat’s museum to see an exhibition about the artistic flowering after WW2    ‘L’envolee artistique’.    I had heard a few of the names-Pierre Soulages, Serge Poliakoff, Zen Wou-Ki, Nicolas de Stael, also Camille Bryern, Georges Mathieu, Marie Barre; Andre Lansky and Sam .Francis.

Friday was the evening of the Paris-Sydney project, with Jerome Etcheberry, Dave Blenkhorn, Sebastien Girardot and George Washing-machine.    They started with a blistering rendition of ‘Blues my naughty sweetie gave  to me.   It was very lively, swinging music.   It really was a good, fun evening.  After the first set Jérome spotted Louis Mazetier in the audience, So he joined in.    They gave a rendition of ’My mama done tole me’ where Jerome Etcheberry played only his mouthpiece.   Love Mist was beautiful. The highlight of the evening for me was ‘The Mooch’.   I have asked for this tune a lot of times in Australia, Britain and the States, people all know  it, but their band doesn’t.   Apparently it is difficult to play, as a result my opinion of French bands has gone up. Saturday saw Paris Washboard here again   I also went to lunch at the Parc aux cerfs.



 
25.6 – 2.7.06

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Back in England for a brief few days, time to be with Chris and sort through the immense pile of post, and buy my train ticket to Whitley Bay, near Newcastle which I go to next. (I already know that the Red Hot Reedwarmers with Stephane Gillot and Aurelie Tropewill be there.)   But for now I am back in Paris, listening to some superb music. First it was Fabrice Eulry, the amazing pianist, together with ‘son ami, Gilbert Leroux’ whom Fabrice calls the king of the washboard. (Actually, I much prefer Gerard Bagot). For the final set Fabrice had at least 3 boeufeurs, a young girl Nino, who played the violin (she must be a protégée of his, I had seen her with him before, and she was much better, more confidence and poise, this time.)   There was also a young man, Gilles Bert who played the washboard.   But the star boeufeur of the evening was  Pierre Yves Plat, the pianist, who won some award for playing Chopin and also will be one of the leading boogie woogie pianists.   He manages to combine jazz and classical music.

The next night was Claude Bolling with his trio, Pierre Maingourd (bass) and Vincent Cordeleette on drums. He is also well-known for his work in both fields of classical and jazz, and their combination.   He has collaborated with the famous flautist, Rampal, and composed ‘Suite for flute’.

I forgot to mention a friend’s new venture.   I went to Le Village Suisse (off the avenue Sufren; there is a complex of shops there selling fine art and antiquities in a calm and peaceful environment).   She has a tiny shop with some rather nice paintings  and also some lovely furniture. They are at 22 place de Lausanne.   It is called ‘Aduodeco’   On Sundays it is a favourite area for people to stroll in, looking at all the beautiful wares; oriental carpets, paintings, lovely furniture from different eras and even garden stone statues – not kitzchy little garden gnomes, but dogs and lions and ladies in crinolines – more suited to parks or estates than gardens.      The shop selling the statues is called La Grande Rue.   That is a reference  to the Great Exhibition of 1900, when there was a huge ferris wheel, standing on exactly on the spot.   Also, there was a miniature Switzerland, with mountains and waterfalls and cows with their cowbells, to let people see the wonders of the world, hence Le Village Suisse.

Then Claude Tissendier’s quintet, Altologie.   He and Didier Dubois were both on sax, with Sylvain Glevarec on drums.   This really swung, very exciting music.  

On Friday Philippe Audibert was playing.   Someone in the quintet had not turned up, and although some tunes were good, I was a bit disappointed.   I hadn’t met his other supporting musicians before;  Michel Denis on drums, Edmond Caruana on the bass, and Benjamin Intertania on the piano; who seemed promising.   I also met a couple from Australia, he was a musician with the Syncopators, who Derek had heard at Wangaratta festival.

Saturday night was a pure delight.  Le Petit Jazz Band was  playing, without a sax or sousaphone,  but a good baritone sax  called Marc Bresban; There was François Fournet, banjo;  Gabriel Conesa, trombone;  Bernard Thévin, piano; Alain Marquet, clarinet and Jean-Pierre Morel and Irakli, both on trumpet.   They played Snake Rag.   They also played some blues, but the entire evening was very joyous.

On Sunday I had a lovely day.   It was about 30+°, and I spent a lazy day with Marie-Thérèse, first a leisurely French lunch in Le Parc aux cerfs, then we went to the Luxenbourg gardens where we listened to a concert given by some American schools.  What a marvellous opportunity for them, to tour Europe for 7 weeks or so, while playing concerts.  M-T commented on the dual face of America, these open youths and the staff compared with inward-looking and closed-minded Bush’s foreign policy._.   Then dinner at the Bouillon Racine, and another leisurely discussion.   She is going to introduce me to a new restaurant on Wednesday.

 
20.6.06
Well, the club opened all right, with the Caxton Street Jazz and (led by Bob Mair on drums and washboard).  You can see from his face that he really enjoys playing it, and it is equally evident that the crowd loves listening.   There was  also Bernice Haydock on piano and vocals, (she sings some terrific numbers, and her voice has a pleasing faint huskiness to it), John Brabham on trumpet, Matt Eaves on bass, Tom Nic(h)olson on trombone, vocals (and comic relief) and Paul Williams on reeds. Derek had also managed, at a few days notice, to get the Bob Barnard trio to come up from Melbourne, which was quite a coup.   His trio were Laurie Thompson on drums, Derek Capewell on double bass, and Peter Locke on piano, all of whom were at Bobs jazz party in Melbourne at the end of April.   Same time as Blackpool, choices do make life harder!  

It seems incredible that the club was ready enough for the 15th. And for that I have to thank Neil Bowe and his team of workers.   He never seemed overly upset or distraught by leaks, unsecured beams, and the countless disasters that occur during renovations, a man of unflustered reassurance.   I am enclosing a few lines written less than a week before opening.
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11.6.06

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It really is exciting at the club.   Piles of building materials are still lying around upstairs, but the first  floor is nearly finished.   The sofas, tables and chairs have all come.   Its just as well, because all the stairs have been removed for polishing, they are due to come back today or tomorrow.   People go round the back.  The parquet floor is being laid upstairs, so that people can dance.   I would have liked it to be all parquet, perhaps some time in the future..The  computers have come. Dereks PA starts work on Tuesday.  Derek is hoping to hire the chef today.   It still looks unbelievable that it will all be ready in time for Thursday, but Neil, who is overseeing all the building operations, says that everything is on course Later:  the parquet floor is being sanded and polished;  the steps have been fitted (and look much better, richer in colour)   The coffee tables have arrived, we have to assemble them.   With the heavy rain last night (after being dry for months) leaks have appeared, which could be very bad news.
 
20.5-1.6.06
A quick trip to Singapore, mainly so that I could then go back to Australia for another 3 weeks, I had been to Singapore once before, when I had stayed in the fabulous Raffles hotel. There I met two people who worked in one of the restaurants there. (I think there are 18, all serving excellent food, from American through Australian and international to Chinese). Raffles itself was quite something, wide stone verandahs, wicker chairs, attentive staff - all very colonial and familiar. Apparently they once found a tiger under a table. They think it probably escaped from the zoo, which is possible because very few of the animals are kept in enclosures The mission of the hotel is to make every stay a memorable one. Winnie and Kar-ho certainly achieved that with me, they took me to the zoo and to listen to a jazz singer that evening. So when I went back I resolved to look them up. (Winnie’s e-mail had bounced.) They had both moved to other jobs, but luckily Winnie had kept in touch.

During the day I visited Boat Quay, a pedestrianized strip of restaurants surrounding an oval strip of water. Also home to Harry’s, a jazz club I had heard of. That evening I met Winnie and we went to the Grand Hyatt hotel, where we had wonderful local food and met the chef, Ban Khin. Then on to the Shangri-la Hotel,, were Kar-Ho now worked, and heard a jazz singer/pianist called Robert Hicks, who was good (and he sometimes sings with Rebecca Kilgore, which helped confirm my opinion. He also told me of another, better jazz club, South Bank, which I’ll go to next time I’m in Singapore.) So, another memorable stay, although I wasn’t at Raffles. I stayed at the Oriental Hotel, part of the Hong Kong chain, Mandarin Oriental. My room had a harbour view, which was worthy of exclamation, and the interior architecture was superb, all different levels, but easy to get around.


 
30.5.06

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I must mention things that always seem too small to put in a blog, like the marvelous invisible mending shop in Queen Street Mall called Doree, which has as its advertising slogan a parody of women talking; 'My dear,everyone knows that the best way to look smart and to save money is to have your clothes invisibly mended.’ But it really is marvelous, I wish I knew of similar places in London.

Similarly, the internet café I go to in Albert Street; it is run by Koreans, who are all extremely friendly and helpful; it is cheaper than most ones run by Europeans, and there is a loo. It is on the fourth floor but there is a lift.

People seem to be more sensible here about the need for toilets, or that might be something to do with being ‘disabled’, or the fact that it is warmer here than in the U.K.

I went to the Brisbane Jazz Club last night, where the Inn Swingers were playing. Graems Norris on sax, John Reeves on the keyboard. (very good, but a bit too modern for my taste), Pat Marischella on drums, Helen Russell on bass and Steve Taylor Brown doing the vocals.

The night before I heard Mystery Pacific, who are really good, at the Lab Bar. Ewan McKenzie on guitar, along with Steve Wood, and Rick Caskey on double bass. They played several Django Reinhardt songs and I thoroughly enjoyed it. The bar staff, headed by Teal, are very nice.

 
28.5.06
On Friday evening I went to the Brisbane Jazz Club (BJC) to hear Alan Western (a strong, confidant vocal who sounded and looked as though he really enjoyed singing). He was with the Paul Gibens jazz kings, it was a quartet, Paul on reeds, (sax. S.sax. flute and another instrument that I didn’t know the name of and forgot to ask). Also Kylie Foster on the keyboard, who was good, Dan Simpson on the drums (drums are not my favourite instrument, but I quite enjoyed his playing) and Andy Dowsett (?) on bass guitar.

I was there again on Sunday, for the monthly barbecue-breakfast, always accompanied by Cameron Ford and friends. This morning the friends were Jeremie Nagabdo and Ewan McKenzie, (who luckily could stand in for Shenton Gregory, the elusive violinist) both on guitar, and Peter Walters, who played the bass well. The four tunes I liked best were: Lime Blues, Swing 42, Minor Swing and Dance of the Cygnets – by Tchaikovsky! Rather a surprise, and brilliantly arranged.

I learnt that there is a free concert weekly in King George V Square. Jeremie will be playing on the 13th and Des Sanderson on the 6th I think. He plays in the ‘Strange Fruit Quintet’.

I want also to mention Fred and Elizabeth Dekkers, the recycling woodworkers. (07 3284 6492) They are comparatively cheap, are very hardworking and have great ideas.

 
21-26.5.06

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I can’t help Derek much because I am not a native of Brisbane, and haven’t much of a clue about where to go for what, etc. However, I am trying to get photos of jazz greats for decoration, and also tasting the coffee for the club. (That is difficult, because I like weaker coffee than most people – and decaffeinated!). Posters are a fraction the price of photos, but so far I have only managed to find one, of Miles Davis who is not my favourite musician.

Creek Street is so called because there used to be a creek here (like the rue Bac after the river in Paris.) Most streets in the CBD (Central Brisbane District are named after royalty, with the male names (Edward, George, Albert etc.) running north-south, and the female names like Mary, Margaret, Ann etc. running from east-west.

In Nerang there is a ship the Maid of Sker, in the centre of the village. From about 1890 to the 1950’ she used to take cypress wood to Beenleigh and come back with supplies. When she finally stopped she was left rusting in the river for some time until they decided to restore her.
On the river walk coming from the restaurant ‘Eves by the water’, there is he “Sir Nathan Hornibrook park” – a glorified name for a strip of grass, a tree and a bench seat but pleasant to sit, overlooking the river, watching life go by and feeling the sun warm your body.


I slipped the other day, went to the doctor – same old women’s magazines, but I was well impressed by the treatment, cheaper, faster and more thorough than Britain, although very occasionally it is superb in Britain, I once had to see a doctor in France, and was very well impressed. I also saw another documentary on tv, this time on the medicine in Cuba. Apparently, in spite of the sanctions imposed by America they have a better and cheaper social service, the ratio of doctors to the people is 1:200, there are a lot of foreign students studying medicine and they make drugs cheaper than most other first world countries, so can sell them cheaper to other countries.

They are laying the carpet on the lower floor of the club today. It’s looking good!


 
17.5.06
I have found 2 more art galleries in Brisbane, One at the QUT, which changes its exhibitions regularly. The masterpieces of the Hinton collection were here, and also some wood engravings by Lionel Lindsay (1874-1961). I saw the ceramics collection of Philip McConnell. He was born in the USA in 1947. His father Carl McConnell was a potter, and had an exhibition at the Old. Art Gallery. Philip lived in Toowomba from 1975 – 2005. He now lives in Tasmania. He travelled extensively in Japan.

I also went to the CWM, an art gallery in Alice/Edward St. Although there are heaps of sculptures and paintings, apart from some bright, clean looking paintings near the door by Nick Broughton. I immediately saw 2 large grayish paintings by James Brown. One had a peachy-coloured flower sprouting hopefully and defiantly from a crack in the paving stones of a street. It was called Palermo. He had also travelled extensively in Japan and these paintings show a strong Japanese influence. There wad also some very appealing sculpture, a frog, standing on his hind legs while smoking a cigar, and in a complete change of style, a female with very extenuated legs, a la Giacometti. Both these were by Brett Harrison Allen.


 
16.5.06

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I saw two good programmes on television the other night, one about religion in Iran and one about the San Carlos theatre in Naples. Most of the tv. I watch is not worth writing about, but the programme on Iran showed some things not often seen, it was quite amazing how she was allowed to film these religious gatherings. The editor was an Iranian woman who had lived in the west for some time, and was trying to find her roots, I think. She traveled widely through Iran, and showed us the beautiful curving lines of buildings in Peshawar, built when paintings were banned and there was an architectural renaissance. But mainly she was exploring some of the different sects; the ones I remember are the Zoroastrians, the male dervishes and the female dervishes, who were nomadic.

Zoroastra pre-dates Christ and Allah. He believed in a force for good, manifested by light, and in a force for evil, which was depicted as dark. But evil was not a separate entity, but came from men’s minds. It was up to man to choose to do the right thing. I suppose the male dervishes and female dervishes were the same sect, just kept apart for purposes of worship, like in the Jewish religion.

They would shake their heads in time to the music, loosening their hair, which swung back and forth, and as the chanting increased in tempo, would allow their arms and even their whole bodies to join in. The female dervishes were much the same, with the addition, when they were in a trance, of being able to suppress the feelings in their nerve endings and put their hands on hot metal, walk on hot coal or swallow flames. She ended with a neat saying, something like ’Modern man seeks truth from the outside, whereas the mystic seeks it from within.’ Her name was Aryana Farshid.


The San Carlos theatre in Naples.

This is the oldest theatre/opera house in Italy, inaugurated in 1737, and is very important to Napolese, who love music. In fact, when the theatre burnt down in 1816, the emperor had it re-built in 300 days, a remarkable feat. It was even more lavish than before, with 6 tiers of boxes and a painted ceiling.

In 1825 Rossini was appointed director and after him came Donzetta. The prima donnas came from abroad and often were only there for the dress rehearsal.. So the role of the understudy was extremely important. San Carlos wants to change that. There is a ballet school on the premises. There is a rivalry with La Scala.

 
12.5.06
I went to the Stamford Plaza hotel last night (pretty swish place) where Melissa Weston was singing in the courtyard, accompanied by Rohan Somerscran (sp?) on the keyboard. It was just lovely, it's only a pity there wasn't more of a crowd, I had heard Rohan the night before, when he played at the jazz singers jam. Di Clark, Nathan Langford and Catriona Cross were there, as was Cathy Wilson, Edna Cunningham and rather a good Japanese girl whose name I did not catch, and Melissa Western's father, who had a powerful voice and looked as though he really enjoyed singing.

On Sunday, after swimming I went to the market at Eagle Pier - some nice things - and had a Shiatsu massage.And had lunch in Il Centro, which is billed as being Queensland's best informal restaurant, and it could well be, I had sand-crab lasagne, which was perfection!


 
9.5.06
Brisbane - I went out to Numinbah again the following Tuesday, I keep discovering more about the place. It’s north-western side borders on Lamington national park, and this beauty and ruggedness, combined with the relaxed attitude of the owners – and the fact that their staff is very well-trained and good, have endeared them to film and television crews. This relaxed attitude spills over into allowing four-wheel drive cars to hold the occasional rally there, and even into letting a horse off work to stay with her friend!

 
6.5.06
Brisbane -
I ‘found’ a magnificent swimming pool on Thursday, in the grounds of QUT, which in its turn seems to be set at the northern side of the botanical gardens. A wonderful setting. I usually have a drink afterwards in the café, and this morning I even saw a peahen wandering round tamely. Added bonus = the pool is very empty in the morning when the students are at work, and it is open all weekend too (though more crowded then).


 
27.2-12.3/06

I was in Paris, but found it too cold to be out much, so I sheltered in the hotel feeling wimpish. However, I went to 3 art exhibitions, including a very good one on the similarities between Cezanne and Pissarro, who were good friends. I met Juliet in the Place de Montreuil, there is a large flea-market there, which is about her favourite pastime – and she does find amazing things there, she once found a lambswool sweater for me! Hard to spot good things amidst the piles of clothing. Also I went to several restaurants and a lot of good jazz – including Evan Christopher! It was a surprise for both of us! He was playing with Sebastien Girardot, (bs), Dave Blankhorn (gtr) and David Torkanowski on piano and Jack Boudreaux on drums. Boeufeurs were Benoit de Flamesnil and Jerome Etcheberry. I saw Fabrice Eulry and Jane Gassman, it was a fun evening. Actually, all evenings are fun, that is the main reason for my love of this music. The next night was Claude Bolling, who is well-known internationally, he mixes classical and jazz, which is what he does in the first set and devoted the second set to rag and boogie. The boogie is far more popular in France where the piano seems to be appreciated more.

I am getting really behind, so I will leave out a lot of the detail. I saw Jean-Claude Olivier (clt) in the Alligators Jazz Band; the Spirit of Swing with Jerome Etcheberry (tmpt) and Francois Fournet (bjo); Fidgety Feet, Le Petit Jazz Band, the Southern Stompers, and one evening where a new band, made up of half the Southern Stompers and half the Federal Jazz Commission of Washington (who play at Colonel Blakes Tavern, or some name like that in Washington, which will be interesting for me) and Don Brogdon, from Boston, who played the trombone very well.

When Fidgety Feet played, they had recently been in New Orleans (pre-Catriona, like me)
The leader of the band was Jean-Marie Hurel (tmpt), who happened also to be one of the leaders of the Hot Club of Paris. (I had thought Hot Clubs were associated with Django Reinhardt and gypsy jazz. But apparently not, because Evan Christopher was in Paris, and Jean-Marie Hurel managed to arrange a concert for him in a community hall in the 18th)
It was a magical concert. I have only once, no, twice before, heard such divine sounds that made you listen in orgasmic pleasure, once was Johnny Frigo playing ‘Estrellita’ (or a name like that) on the violin, and the other was Bucky Pizzarelli on guitar, and I can’t remember the name.

Anyway, Evan Christopher introduced his concert by paraphrasing (in French!) Jelly Roll Morton’s definition of jazz, as well as soul and gaiety it must have sensitivity. He then went on to play the most sensitive and soulful clarinet music that I have ever heard. He gave another concert in Paris before I left, at the Café Oz, just off Chatelet. Playing with him were Sebastien Girardot (bass), David Blankhorn (guitar), Guillaume Nouaux (drms) and boeufeurs Jerome Etcheberry, (trpt), Benoit de Flamesnil (tbne), and clarinettist Aurelie Tropez.

My last evening in Paris I went to the Petit Journal St. Michel, that wonderfully atmospheric club, and heard Guillaume Nouaux (drms), Pierre le Bot (a really swinging piano) Jerome Etcheberry (charismatic trumpeter).

22.2-25.2

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‘Paris pittoresque et insolite.’ That was the title of a walk, and within a few yards of the busy Etienne Marcel underground station was the totally unexpected impasse des peintres – though not very picturesque. It used to mark the boundary of Paris in the 13th century, when the rue St. Denis was still the most important street in Paris. At the corner of the rue Pierre Lescot, I think, was the site of the former hospital St. Jean. There used to be a lot of signs, but there really is only one left, on the rue de cygne though some have been pointed out to me on my walks but I think they were more of a carving in the wall .

We went in to the old church of St. Leu-St. Gilles, where there is an old crypt where there is not much of interest except the emblem of the chevaliers of St. Sepulcre - they are buried in the nearby Cemetery of the Innocents. Apparently if the church had been a metre or so longer it would have been bulldozed to make way for Haussman’s re-development. We passed the rue de grande truanderie, with the puits d’amour (and the rue de petite truanderie) and the restaurant La Petite Normande, which is renowned as the place where one can eat the best tripe, In he evening I went to see the group 'Moulin a cafe' - I like the tune of that name. They were good fun, They played two compositions by band members, Banana Rag by Christian Daguet, and Chicoré by (Christian Paul), who seemed to be quite a musician, he played a number of different instruments, each more extraordinary than the one before, finishing up with a saw!

Change of scene the next night, I went to the opera to see Madame Butterfly, but I couldn’t really understand what was going on, perhaps that was because I didn’t discover the script-prompt till well into the second act. Although Chris arrived that day he could not find the time to have lunch with me at Au Gourmand which was a pity, (Hervé, the maitre d’, and I joke about my hard-working husband who doesn’t like big cities). However, Chris did come with me the next night to the Petit Journal Montparnasse to hear Jazz Memories (with Michel Simmoneau and is amazingly mellifluent trombone (and horn and euphonium.]) That did mean we had to miss Pauline Atlan, who was playing at the PJSM. That also meant that Chris was able to meet some of my friends, Alex, Guillaume, Elena and Vladimir. Chris left the next morning, and, after lunch at au bistrot de la Sorbonne, I went to hear the Southern Stompers, with Francis Quettier on the drums as the leader of the band. He has a very high-powered job during the day, he is a professor, dealing with hereditary diseases. Neither Stephane Gillot nor Aurelie Tropez was there, but Sebastien Gillot was on cornet, as was Shona Taylor (fron Inverness! On piano too!) And Vincent Libera on trombone.
 
22.2.06
I am back in Paris after a jazzy three nights when I went to Ronnie Scott’s to hear Guy Barker and Tina May . Tina May was a bit more modern than I had thought, so I did not stay the full time because Guy Barker was also modern. I knew that, but I wanted to hear him again, I’m glad I did. His mastery of the trumpet is terrific, I would put him with Jerome Etcheberry and Frank (Skinner?) He also had 2 good saxophonists there – Rosario Giuliano (who has appeared solo at the Pizza Express back in the good days when Peter Wallace was manager; and Branden Allen, a friendly, open-faced saxophonist from Perth, Australia.

Then Pizza on the Park to hear the terrific Pizza Express All Stars. Tonight they were better than ever, or maybe that’s because I had company for a change. There were 3 guests, Digby Fairweather (tpt), Alex Dankworth (b) and Nick Dawson on piano, who used to play at the 100 club when it had its free Friday lunch sessions for pensioners, which was such a marvellous thing, everybody enjoyed them. I like his style of playing.

On Monday I was back at Ronnie Scott’s, this time for the ‘Echoes of Ellington’ band, who were good, but I don’t really like the big band sound. There was also a singer, Polly Gibbons. I liked her voice, but unfortunately didn’t get a chance to speak with her, not pushy enough.

The next night was something completely different, Chris and I had been invited to dinner at St. Catherine’s College in Oxford.

Apart from being a bit late ‘because we were each waiting under different departure boards!) it went very well. It was a bit too cold to have much of a look around, but we saw the quadrangle, built by the Swedish architect, Hans Jacobsen, in 1964 and still looking good with its cedar trees. I really enjoyed the dinner, good food, interesting conversation and marvellous wines, I had never (consciously) drunk claret before, this was a 1997 Chateau Cissac, a Haut-Medoc, and it was wonderful. Interesting customs too, all the students stand as the high table (us!) enters, then another room, plus a change of seating arrangements,(for the wine and sweetmeat and ginger) then a third room with another change of companions. A nice room (although the beds were single, not double!), and after breakfast the next day it was off to France again for me.


17.2.06
Gosh, I can’t get everything written fast enough. Thurs was my last full day in Paris, and I decided to go to the Musee de Montparnasse, which was quite difficult to find, but it is in a very picturesque position, a cobbled mews off the busy Avenue de Maine.(21) A sculptor, Polish but naturalized Brazilian, Frans Krajcberg, but who also spends quite a lot of time in Paris, his preferred town culturally. was displaying wooden tree-like sculptures.

I have been on two guided walks about Montpernasse artists and their ateliers; all I was shown were rather boring looking blocks of flats, nothing as scenic as 21 ave.de Maine. There was also a film about him and his work in Brazil, focussing on colour and form. Working so closely with nature he has become involved, to a certain extent, with the struggle between the Brazilian peasants and the rich ranch owners. He knew Chico Mendes, the peasant who was assassinated in 1986. It is interesting that he is not mentioned in the exhibition art the Musee Dapper, but that is probably because his sculptures are nothing to do with Brazilian religion.

That evening Marc Laferriere was playing at the PJSM – such marvellously happy music! There were several ‘boeufeurs’, and the end of the evening was a lively, vibrant, social buzz.
 
10.02.06

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In the evening I went to a performance by Paris Washboard, and they were better than they have ever been. This was largely because two musicians had been invited to join them, Aurelie Propez and Stephane Gillot (who, incidentally are coming to the Whitley Bay jazz festival in mid-July, which was a real scorcher last year.) Aurelie and Alain were really battling it out, each imitating and vying with the other. It really was superlative, I don’t think I’ve ever heard better – although once James Evans gave a brilliant performance at the 100 Club in London. To a lesser extent Daniel Barda and Stephane Gillot were doing the same.

In fact it was marvellous week musically; Fabrice Eulry had guest Julien Brunnetaud along, they were playing the boogie and singing tihe blues; Paris Washboard, Bayou Combo, which I loved, (Benoit de Flamesnil, tmbn; Geerard Siffert, tmpt, Dominique Bertrand on cl, Stephane Roget on drums, Alan Kelly on banjo and the extraordinary Bernard Brimeur on bass, I was really taken with his playing.

I’ve just realised what a lot I’ve written, sorry, I’ll try not to let it happen again. I must just mention an exhibition by Ron Muçeck at the Fondation Cartier in Bd. Raspail, figures, both extra large and extra small, and they_ are so realistic and lifelike, you can even see the faint colour of blood under their skin!
 
 
3.2.06
Back in Paris again, and on the Saturday I went to La Pibale where Jazz Carbonic were playing. Oreste Maure (p), Arien Yvon,(cl.saxes) Michel Simonneau on trombone, horn and flute, a lot of these musicians are extremely talented, playing more than one instrument or holding down, often very demanding jobs as well. There was a singer too, Lehila, who had an incredibly deep voice, and was charming and vivacious. And I danced again, which delighted me. The fountain at the n.e. corner of the Luxembourg gardens was very pretty, all iced over, but still spraying water.
Jazz Carbonic
 
2.2.06

I also heard ‘Bon Swing, Bon Genre’ in Paris, it is always an enjoyable night out. And I was able to get the name of a central hotel in Rueil where the European festival of New Orleans takes place (June 6-11). Franck Mossler, who plays the drums, washboard and sings, is also organising the festival. There was also Jean-Loup Feliz on the piano, Freederic Bonneau on double-bass, Pascal Perrin on clarinet, Philipe Gibrat on trombone and the charismatic Jerome Etcheberry on trumpet. The following day 7 of my friends were able to come, in spite of the cold, round to a small, friendly restaurant.

From the next day I was in London, and felt quite busy, that, I think was mainly because Chris was in California and my bike broke, so I couldn’t nip out to the shops, and with the cold everything seemed to take a long time. But on the 31st. I did go to the Pizza Express in Dean Street where the All Stars were playing, it was nice to see them again, the room was well filled, so I hope the management will have them more often.

 
25.1.06
Last night I saw Claude Bolling, he was absolutely marvellous!. The evening was roughly divided into two parts, standards, quite recognisable, but played with a different interpretation and rag-time or boogie with slight audience participation, and everyone loved it, cheered and was very reluctant to see him go.

He played in a trio (he plays in a big band formation at Montparnasse) with a super bassist, whose name was Pierre Maingourd, who played one of his own compositions. Funny how refreshing something different is, and just think what I’ve been missing.

After lunch at Au Gourmand (truffle risotto again), I went to see the Phillips collection. I had seen it, but I didn’t realise I until I’d read all the notices. The French, on the whole, seem to take art seriously. There are queues outside both English and French art galleries, but the French really go in for those taped explanations, and tend to spend a while in front of each painting, scrutinising and discussing it. (Well, the English do too, now that I think about it, just not as much).

Duncan Phillips is an American, who had noticed the influence that Puvis de Chavannes had on late-19th and early-20th century artists, such as Delacroix, Ingres, Picasso; Monet, Manet, Cezanne, Corot, Gaugin, Bonnard, Sisley, Degas, Renoir, Van Gogh, Courbet and Vuillard.

More modern abstract art is represented too, Dufy, Kandinsky, Klee, Braques, and others whose names I didn’t recognise. Duncan Phillips very carefully chose the best example of every style of painting. The collection was founded between 1916 and 1923, in a house in Washington, where it still is (when it’s not out ‘on loan’.)

Tonight Claude Tssendier and his quartet were at the PJSM. They were Bernard Rabaud (vibes), Sylvain Glevarec (drums) and Jaques Schneck (piano). There was an extremely poor audience, but it was simply wonderful; really swinging. The tunes I loved most were Rhapsody in Blue, An American in Paris, Frenesi and Fascinating Rythym.

 
19.01.06

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I have discovered a terrific French restaurant – Mon plaisir, 21 Monmouth Street, WC2H 9DD, Tel: 0207836 7243. They do a two-course lunch for £13.95. and the staff are friendly – and talked French to me!

Well, I only found it because I went to the show, Vive la France, at Olympia. The centre of lower floor largely taken up with regional tourism, a bread shop I’d never heard of, Bagatelle (who have apparently teamed up with that well-known ‘best’ butter from Isigny-la-mere – and what a good and tasty partnership it is) and they also do very nice looking lunch boxes, delivered free to the central London area. A noisy fashion show going on most of the day, attracting noisy support, with noisy music not to my taste (you can tell I’m not into fashion!) Upstairs it was ‘the taste of France’. The two stalls I saw first were dried sausages and floc de Gascogne! So I loved the show from then on. The floc de Gascogne and a selection of wines were sold by a very approachable couple who lived and worked in France – lucky them!

There were four eating places upstairs, Le Manoir aux quatr’ saisons and Le Gavroche, both with two Michelin stars, and two I didn’t know of, Mon Plaisir and the Brasserie Roux, which is situated in the Sofitel at St James, 8 Pall Mall, SW2Y 5NG. Tel. – 020 7968 2900.
They advertise a 3-course lunch + 2 glasses of wine, mineral water and coffee for £24.50 which is pretty good.

The band from Le Quecumbar was playing, I picked up the publicity blurb, which was most impressive: ’Le Quecumbar provides an irresistible combination of live music, great food and hospitality in a style born in 30’d Paris dedicated to promoting and supporting Django Reinhardt Gypsy Swing.’

But one thing which I found very noticeable was the number of stalls selling things which had nothing whatever to do with France – sponge mops, magnetic bracelets, coffee frothers (called Aerofill) a guide to restaurants in London etc.

On the Tuesday I went to the Pizza Express to hear Todd Gordon. Andy Cleyndart was the bass player – two for the price of one! And the next day I went down to near Southampton to hear Alan Beechey and his bright stars of jazz. That was a pleasant evening.

On Friday I was back at the Pizza Express to hear Joe Calderazzo, a marvellous swinging pianist. He interacted well with the audience too.

On Saturday I went to my first meeting of the Duke Ellington Society, Mike Poynton, a trombonist, was here, leading the meeting, and it was really fascinating hearing about mutes and plungers, and the technique of Tricky, one of Duke Ellington’s first trombonists.

Andy Cleyndart
Todd Gordon
Todd Gordon

 
12.1.06
Another full day. Winnie and I had lunch in a real find - a little café, which made its own healthy, delicious dishes, made all its own tasty bread with wheat-free recipes (which could be bought) and was cheap with good, friendly service. It served vegan, vegetarian and normal food. Neal’s Yard salad bar, 8-10 Neal’s yard, Covent Garden, WC2H. 020 7836 3233.

Then shopping; usually exhausting and exasperating for me, but I took advantage of Winnie being such a great help, then I went to Pizza on the Park, were Barb Jungr and Ian Shaw were performing. They were very good, singing quite a few well known songs in a completely different, fresh (and often amusing) way; eg. I believe in you. They also sang ‘I concentrate on you’, which was one of the first recordings I listened to, on my parent’s l.p. of the Casa Loma Orchestra.

After that I went on to the late set at Ronnie Scott’s where Harry Allen was playing – his playing was exquisite; Joel Forbes (whom I had met in Nairn when we gate-crashed a wedding reception with the other BED members!) was playing the bass in Harry’s quartet, the guitar-player was Joe? (well-known, but I didn’t) and the drummer was Nick Ross (?)
The sandwich-performer was Jacqui Dankworth, who was very good, and attractive with a lovely figure. Steve Brown was in the audience, also a singer, Zoe.

 
11.1.06

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My brother-in-law and his wife are staying for a couple of days, and today we went to see St. Paul’s. First we saw the crypt, which I did not think I would enjoy at all, but it was more interesting than I expected. The crowds at St. Paul’s are limited to 2.5 thousand – incredible, when we learnt that at Nelson’s funeral some 13 thousand people packed in. Apparently he was late for his own funeral - he was entombed in a huge marble tomb, and the horses could not pull it up the hill, so a squad of sailors were sent for. This set the precedent of always having sailors escort the gun-carriage. I was able to recognise the names of some people buried there, Christopher Wren, Horatio Nelson, Admiral Rodney. Wellington. Henry More, the sculptor, Walter de la Mare, lots of plaques both to the dead of WW1 and WW2, including a plaque to the members of the Amen Court Guild who had died in WW1, one of whom was called Finlay McGullivray.

There were also the original models used by Wren. And there was a model of the original St Paul’s, which was started in 1285 and finally finished in 1283. It was very beautiful, built completely of wood, and had a spire of 520 feet, making it the largest building in Europe until St. Peter’s in Rome was built. It was destroyed in the Great Fire of London in 1666. The original St Paul’s took almost 2oo years to build, the present one took 35! On the way out of the crypt we passed two Elizabethan-looking effigies of metal, all that the fire had left.

London from St Paul's
Then we went up to the whispering gallery, where the attendant assured me that it really did work – I just couldn’t hear Tim because at that moment the organ was being tuned. Then up another level to the ‘stone gallery’ where we had a good view of the Thames and the millennium bridge. Then up one final level to the ‘golden gallery’, presumably so called because the interior is high up in the cupola where it looks golden. By that time I didn’t really bother looking at the view!!! There are 530 steps!

 
9.1.06

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I saw a nice visitors guide advertised – charm and discoveries in the 2nd arrondissement. Unfortunately, I needed to go to the toilet by the time I arrived, I eventually found a nice-looking (Timhotel, “ rue de la banque, 75002, - Tel 01 42 6 53 90 - toilets on the level).

I managed to glean that the place des Victoires, which is a very elegant square, well, circle actually, large and spacious, had been planned and built by the architect Faillade in the 17 century. He was a great admirer of Louis 1V, which is why there is statue of him in the middle of the circle. Unfortunately, I then had to find a toilet – normally that is not too difficult because I can manage stairs, but this time the American influence had arrived before me, and although I asked to use the toilet in a shop I was refused – because it was downstairs and they did not want to risk me falling! Understandable, you might think. But today I was going down the boulevard St Michel when I needed the loo again, so I went into a café and asked, again it was downstairs but these guys were willing to help me – as it was, I had no need of their help, but it does exasperate me when people judge me by appearances, because I do look helpless. It is difficult to know what to do, but I do get cross when people won’t believe me.

By the time I came out of the hotel, the guide had succumbed to this American influence as well, and declined to take me further.

Was only in Paris for a four days, and although it was too cold to go on ‘visites’, I did feel more at home. The petit journal was closed unexpectedly tonight, so I went to ‘Au Gourmand. What a meal! ‘Veloute de potiron et crème glacee chevre ciboulette, mouillettes aux olives noir taggiasches aux anchois marines’ – followed by: ‘Epaisse piece de veau de Correze, poelee de legumes oublies, vitellette, reduction d’une sauce marsala’.
Finally, I had three balls of ice cream ’au pain d’epices, one of ginger and one ‘a la vanille de bourbon’;

A really good meal, I just do not understand how Cristophe Courgeau has not yet got a Michelin star.

 
5.1.06
I have been at Ronnie Scott’s a few times recently – but it is too late It starts at 10.30. Public transport stops about midnight, so it is really only for people who live in central London, which I feel s rather elitist. I saw Digby Fairweather and his half-dozen. They really do play excellent music; apparently Time Out has just voted them the hottest in Britain. Members were Julian Stringle (cl), Craig Milverton (p), Len Skeat (dble bass), Dominic Ashworth (gtr), Chris Gower (tbne)and Steve? (dms) from Birmingham. George Melly sings the blues but, and this is just my personal taste, I did not think much of it. However, he did tell some quite funny jokes. According to him, the only clean joke he knew concerned an Irish couple Paddy and Mavis, whose next door neighbour had a dog which barked all night. Finally Paddy went round to sort that fellow out. He came back shortly and said ”Well, that’s sorted him. I’ve bought the dog.” “Bought the dog?” cried Mavis. “What on earth for?”, “Well, we’ll see how he likes it when it barks all night!”

Scott Hamilton has been appearing at the Pizza Express recently with his marvellous backing group, Steve Brown, Dave Green and John Pearce. (1-8 Jan). Scott is superb, he just plays and plays, you certainly get your money’s worth. He played what I have come to think of as his signature tune, the Jitterbug waltz, by Fats Waller. He doesn’t always play it, his programme varies every night. He ended one concert with a ballad by Duke Ellington, ‘I go to sleep with a smile on my face’ where the last note was so high and pure, producing a wonderful climax.

On the way to the Pizza Express I passed a pub with a sign saying “I read about the perils of drink, so I gave up reading’.

 
1.1.06

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Sitting having a late, healthy breakfast I turned on the television, and saw two marvellous programmes. The first was Inspirational Britain, on Heaven, on BBC, a weekly show; this week it visited Cornwall.

There was an interview with a surfer who was a Christian, seeing the beauty and splendour of God in the water, the sun, the dolphins etc. The first time I went to America on my own I stayed at a small b&b in San Diego, and met a lay preacher who was a keen surfer, who said it made one very aware of one’s mortality. Also ‘met’, on the Internet, a lay preacher who rode a Harley Davidson, for much the same reasons, I expect.

The second programme was the New Year’s Day concert by the Vienna Philharmonic Orchestra. The programme was mainly music; but there were also a couple of ballets that I saw, one of which was the Pizzicato Polka by Johan Strauss. It was breath-taking, the dancers were so graceful and light on their feet, bending and curving sinuously.

Tonight I am going out to hear Scott Hamilton with Dave Green, Steve Brown and John Pearce play at the Pizza Express.
 
29.12.05
London - I joined Ronnie Scott’s with some reluctance, mainly because it is far too late, and it only begins at10.30pm. _ the last underground trains leave at about midnight, which means that it really only caters for people living in central London, which I feel is rather elitist. Actually, the majority of the audience seem to be tourists, so they would either be staying in a fairly central hotel or not averse to the taxi fare. Digby Fairweather and his half_dozen are currently playing. (till 14 Jan) Apparently Time Out rated them the hottest small band, or words to that effect. And I must say I thoroughly enjoyed it. As well as Digby on the cornet, (which I don’t usually like).

There was Len Skeat on bass and Julian Marc Stringle on clarinet, Craig Milverton on piano, Chris Gower on trombone, Dominic Ashworth on guitar and Steve ? on drums. (from Birmingham). It was taken over about a month ago by Sally Green, and it will be closed all February for refurbishing. I expect a toilet on the ground floor is too much to hope for.

Anyway, London’s jazz scene seems to have got a bit dimmer over the last year or two, but for the next two months while I am in Europe I will be very busy, rushing between Paris (where the New Orleans jazz scene is very good) and London. I have just been there, and saw the Clause Tissendier quartet, Irakli’s group and the High Society Jazz Band. Pauline Atlan emphasising the festive season by appearing in an adorable little Santa Claus costume – like a bunny girl! Scott Hamilton, who is arguably my favourite sax player, is on at the Pizza Express in Dean Street from 1-8 Jan. Then Harry Allen is on at Ronnie Scotts from 9-14, but meanwhile Pauline Atlan is in Paris at the Petit Journal Saint-Michel (PJSM) with Jaques Schmeck(p), Nicolas Montier(t sax), Nicolas Peslier (guitar) and Rafael Dever (bass) on 11, Paris Washboard on 13. The following week I will be back in London when my Edinburgh friend, Todd Gordon, will be appearing at the Pizza Express (PE) and Barb Jungr is appearing at Pizza on the Park (PoP), and on 18 Allen Beechey and his bright stars of jazz will be playing at the Concorde Club in Eastleigh near Southampton; and the Pizza Express All Stars on the 31st, at the PE. And Bon Swing Bon Genre is on at the Petit Journal Montparnasse (Mont).[Paris]. On 27 Jan., Jazz Memories there on the 24 Feb. I haven’t time to mention everything, but {aris Washboard is on 8/2 and MARC Laferriere pm 16th.

 
16.12.05

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Sunday was my last full day in New York, and as it wasn’t so bitterly cold I ventured out to find somewhere different which did a jazz brunch. I had heard of two different places, but they had both stopped having live music. So I went to the Blue Note. A big band was playing, which is not my favourite kind of music, but it was better value than during the week, $20 cover charge, and absolutely packed. In future I’ll stick to the Cajun (8th at 16th). They deserve support for never having a cover charge.

In the evening I went to the Cajun for the first set of Kevin Dorn’s trio, (Kevin and Michael ) then to Arthur’s Tavern for one set of the Creole Cookin’ Jazz Band, Gordon Polatnick of Big Apple Jazz is very complimentary of both them and the Monday band, the Grove Street Stompers. Again I can’t remember all the names, but Lee Lorenz (tmpt), Ernie Lumer (cl). Steve Elmer (piano), Skip Milleer (bass) and Richard (trombone). I finished off the evening at Jules Bistrot (65 St. Marks Place, between 1st and 2nd.) Anat Cohen was playing clarinet briliantly with the Choro Ensemble. It is such dffiicult timing, and so fast, no room for mistakes Tim Lauchlin (clarinet) from New Orleans was also there.

 
3.12.05
It is bitterly cold in New York. So cold that I have to take a taxi for short distances, which is annoying, as I am too mean to take taxis often, so I am staying in the hotel rather than walk around much.. However, I have seen some good jazz already. I went straight to Jazz at Noon at St Barts, this was started up some 40 yrs ago by a group of retired doctors and lawyers who aim to keep this type of main stream jazz alive. They usually invite one professional musician every week, both to let us, the audience, hear them and also to give these amateur musicians a chance of playing alongside them.

I have met a lot of these musicians, either at Blackpool or Nairn, so I really enjoy it. The week I arrived it was Scott Robinson, and then Randy Sandke, and next week it will be Harry Allen. Both weeks there the pianists were good, the first week it was Steve Elmer, the second week I enjoyed the playing even more, but didn’t get the name. The double bass player is Japanese and called Hide.

That evening I saw John Gill’s Hillbilly trio at the Cajun, who were just terrific, lots of ‘raves from the grave’, songs I grooved or swooned to as a teenager (so to speak!) There were two guitars (John Gill and Dave) a drummer, Kevin Dorn (whom I had heard twice before playing New Orleans music) and a terrific vocalist, Ms. Monica. Then on the Sunday I went to Jules Bistro, 65 St. Mark’s Place, between 1 & 3 Ave.

Tuesday I heard the Choro Ensemble, with Anat Cohen on the clarinet, Pedro Ramos on the cavaquinho, or Brazilian ukulele, Ze on the pondeiro, (which looks like a tambourine but can sound like drums!) and Carlos and/or Gustavo on the seven-string guitar. The co-manager of the restaurant, Rodrigo, is a super-friendly person who always recognizes me which is very nice. Then Monday I met up with an American friend who worked in London for a while. Bob likes jazz too, so we went to the Cajun, to see Kevin Dorn and his traditional jazz group, they were just great. Afterwards, on the way back, I popped in to catch the last bit-of-a-set of the Grove Street Stompers at Arthur’s Tavern, (Grove Street and 7th.)

Tuesday I went to Roccos in Thompson Street, for a good, warming minestrone, lots of vegetables! Then to Jules Bistro again, to hear Anat Cohen on the sax, and although I could hear her mastery on the instrument it was too ‘modern’ for me.

On Wednesday I joined two other ‘mature ladies’ for lunch, and in the evening met Bob again. We went to Birdland where Dave Ostwald and his Louis Armstrong Centennial Jazz Band played. (Anat Cohen on clarinet, Jon Erik Kelso on cornet, Howard Alden on banjo, Vincent Gardner on trombone, Steve ? on drums, and of course, Dave Ostwald on tuba.) We stayed on, to hear the John Pizzarelli quartet, (brothers John, guitar, and Martin, bass; Tony Tabasco on drums, and Ray Kennedy on piano - who was brilliant, he was mimicking John. Then the real star of the evening came on, half-way through the set – Bucky Pizzarelli, their father. He was absolute heaven to listen to. John told an extremely funny story – about Bucky. A friend of his had died, and requested that Bucky play something funny. He played ‘Pick yourself up, dust yourself down …’ The teacher of John and Martin was in the audience, and also had a funny story. Boys in the same class used to make up unlikely stories about why they hadn’t done their homework, and they were untrue. John would say he had gone with his father to play the guitar to Richard Nixon – and it would be true!

On Thursday I went to the O’Donnell library to hear the lunch-time (free) concert by the Gotham City Jazzmen. These are all, I think, amateurs who are real musicians, they seem to be able to play most tunes, and all without music - as indeed are most of the people I listen to. Not everyone appears every week, when I was there there were Jim Carter, the announcer, on the trombone, Dick Waldorf on the double bass, Richard Sherman, the leader, on drums, Lee Lorenz on cornet, (he used to be a cartoonist for the New Yorker), ‘mad’ am Parkin on clarinet, sax, Ernie Lumer on clarinet and Pete Saccalov on piano/vocal, who has a wonderfully wry sense of humour. Most of these guys play at the Cajun on Wed. lunch. In the evening I went to hear the Manhattan Ragtime Orchestra at the Cajun. The leader, John Gill, was the only member of the band I recognized, and when I commented on this, he said “Welcome to New York!”

The next night this was again true of his Hillbilly trio, all subs, though a good bass.(I didn’t get his name.)
 
11.11.05

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I went to Numinbah for horse-riding again today it was a sunny but humid day with lots of flies, the prison loudspeaker calling the men for tea, the laughter of the kookaburras and the whiplash call of thee whip bird.

Then another wonderful lunch at Omeros, back to Brisbane and the Lab bar where I heard Leah Rush with Adam Hopper, a guitarist. The following night I heard Melissa Forbes there, with another guitarist. Sunday was the cool club christening, when the ‘core four’ met to mooch around and discuss the name, and cut off the flapping canvas with the heavy metal ring at the end which had already broken two of our window-panes. Unknown to us, it was doing a makeshift job of holding up a long pipe, which subsequently fell down, so its lucky there were no clients around.

Monday I ‘discovered’ a fantastic Italian restaurant in Brunswick Street, very innovative and excellent cooking - Augellos, at 695. And on Thursday I had lunch with Jane at Oxleys on the river – what a wonderful location, made even better by the fact that it was high tide and the river was right up to the edge of the river walk. The soup sounded good but wasn’t, but the next course was o.k. I guess most people accept any standard of food given the really superb setting.

Tonight I followed the suggestion of a taxi driver, and tried a French restaurant called Montrachet at 224 Given Terrace, Paddington. It has shot into first place – and relieved me as I now know that there are a lot more decent restaurants than I had originally thought.
 
10. 11.05
The more I see of Brisbane the more I like it. This morning, early, I went on the river walk – and met someone I’d talked with in June! People recognize you, in your own neighborhood, anyway. I made my way to ‘Venice’ for lunch, beautiful location, right on the river front; then went down river on the’ city cat’ ferry to the internet café- it’s cheaper and a lot less frustrating than the hotel. It is a bit far to go, but at the moment I have most mornings free as Derek does his ‘other’ work then.

 
8.11.05
Last Saturday I met the other two people who are forming the core of the jazz club, and I liked them both, I think it’ll be a good team. On Sunday afternoon I went to the Storey Bridge Hotel where the UTR jazz band were playing?. I enjoyed that, but after one set went down to the Brisbane Jazz Club where I heard some superb gypsy jazz by Ian Date (Ireland, guitar) Nigel Date and Ewan Mackenzie (Australians, guitar) and Rick Caskey who played the double bass well and was a member of Mystery Pacific, (along with Ewan I think) A tune I loved (and so did the audience!) was ‘Dark Eyes’, often called ‘Gypsy’.
 
3.11.05
Derek has managed to find a very nice apart-hotel for me – and it has a view of the river! It is within walking distance of our prospective club. I like the area, it has quite a good feel to it, lots of cafes and shops. There is a terrific bookshop on the corner where you can drink decent decaf, and enjoy a good read. There are some good shops, a terrific deli, (unfortunately across a very busy road and up a hill) and a good Wedgwood factory outlet which has a sale on at the moment. I am still exploring the area. I don’t think there is a riverboat station, which is a pity, as I think it’s a wonderful way of getting around. I took a walk along the ‘river-walk’, which is wonderful – people walk, jog or cycle along both sides of the river. I got off at the South Bank and discovered a good class of swing dance going on at a large, covered, ampitheatre - what a venue, with the catchy music pumping into the air. The next day I got off the bus, took a wrong turning, but decided to go the scenic way round to look at the area, and spotted a Latin dance studio with lessons in progress.

The first thing Derek showed me were the premises – they are bigger then I thought. In my conservative British way I don’t think I’d have gone for it, but Derek is optimistic and his figures are pretty convincing.

There seems to be a fair bit of rain in early November, but somehow with the humidity and the heat it really doesn’t seem to matter at all. This morning the river was visible, and there were two 8-men racing boats out, and several single-man sculls. (Apparently the local boys’ schools practise from 5-8 in the morning!)


 
27.10.05

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What a day! I’d spent the previous day in bed, with (flu, which luckily went, then I treated myself to lunch at ‘Au gourmand’ for a wonderful lunch, the food is marvellous, it may not have a Michelin star ye but I really think it should; It is a really good and friendly service as well.

Then I was just in time to catch a guided walk around the ‘Marais sud’, which extends from the Seine up to St. Paul and the rue de Rivoli. It is called the Marais because until the time of Charlemagne it quite literally was a swamp. From the 13th.-16th. centuries it became one of the most sought after places to live.

In French cities there are a lot of ‘hotels’; This means a large building for civil use, such as hotel de dieu (hospital) , hotel de ville (town hall), hotel particulier (private house)..

The Compagnons du honneur are based near the church and keep old traditions, not just old crafts and old traditions, but when there is some big event like the ‘Tour de France’ and some of the entrants come from far away; then the oldest female member of the Compagnons acts as a ‘mere’ or mother’ to that entrant, and generally comforts and succours him.

Then we went into the church of St. Gervais and St. Protee, who were brothers. There is a lovely organ there; supported by smiling stone cherubs. In the first world war, the Germans did not enter Paris, but were held at bay by the French some 150 kms. away. They had a huge canon, invented by a Major Krupp, who had a daughter Bertha, after whom this canon was aimed. Most of the time the Germans fired on the French factories to the south of Paris, but from time to time they would aim Big Bertha at Paris. In 1917 a lucky shot (lucky for them) hit the church and destroyed the east end of the nave.

67% of French people say they are catholics; 11% of French people are practising catholics, with the next largest religious sector being Islamic, of whom there are 7 %.(and growing!) The state pays for the upkeep of the actual buildings, but the food for the priests etc. is left to those 11% of practising catholics.

We went out of the back of the church into the rue des Barres. Immediately opposite the church is a youth hostel – what a prime position, and how lucky to stay there! Then past the rue de Grenier de l’eau with the timbers of a house showing. There are 20 arrondissements in Paris, each like a separate community, and each with its own ‘maire’, but the mayor of all Paris is at their head, with overall responsibility and he works with the ‘Senat’, which has representatives from each arrondissement, which shows how democratic Paris is. (In a nutshell!).

We carried on, turning right into the rue Francois Miron, and almost immediately came to two 14th century houses. There was a painted hanging sign saying ‘relais St. Gervais’, which I’ve always translated as truck drivers accommodation – cheap, clean and honest. Hmm, I must look into getting Derek lodged there, he loves history, and coming from Australia, where he pointed out one of Brisbane’s landmarks as being a 70-yr-old building! That has made me more appreciative of these old buildings of Paris.

We saw the courtyards of some lovely old private houses, which now housed some government body like ‘les cours de tribuneaux administratifs’. They were the hotel d’Aumont and the hotel Bevier. The hotel Bevier is particularly striking for two reasons: 1). The courtyard is absolutely unique in its unusual semi-oval shape, and 2). all the way round the walls of the courtyard are alternating stone heads of a lion and a ram, the two star signs that influenced him. Along the rue de Jouy, which had a moving plaque on a wall to a classroom of Jewish children, arrested by the Germans, who subsequently died in one of the concentration camps. Then along the rue des nonnains dHyeres. We came to the Hotel de Sens, which, along with the hotel de Cluny, are the only two hotels remaining in Paris which were built asymmetrically.. The roof was considered the crown, so the higher windows were always more lavishly decorated. A M. Fourny had a magnificent collection of art books, which he gave to the state and it is now a library here.

Then along the rue des figuiers where there were still 3 small fig trees growing – at one time growing, collecting and selling figs was quite important, past another memorial to a Jew – British people nowadays are so incredibly lucky. Part of the remains of Philippe Auguste’s famous protective wall is here. We came to the gardens of St. Paul; or St. Pol as it used to be known. When Charles V was 9, living in the Grand Palais, the English invaded France and his parents went off to repulse them, leaving the boy in the care of an advisor. The French revolted against something, managed to break into the Grand Palais, and before this child of 9, killed the advisor. Charles V was so traumatised by this that he vowed never to live in the Grand Palais, and built a hotel in what later became the village of St. Paul; and for the rest of his life was obsessed by security.

We heard another fascinating story, when we stopped in front of where the hotel Bravellier used to be. They had quite a large estate and a largish family, 9 or 10. They did not want to split the estate up between the children, so one by one they poisoned them. I think one son survived – he was poisoned and buried, but somehow recovered and survived.

That might be a film plot. We ended up at St. Paul’s church, which was a Jesuit church with long sermons, where Mme. Sevigne used to write her famous letters.

In the evening Guillaume showed me a marvellous place called ‘maison des Mines’, 270 rue St_Jacques, where, every Thursday evening during the school year there is a talk about some adventure or unusual voyage. Tonight it was the story (illustrated) of a young French woman who had travelled alone on the Trans-Siberian railway from Moscow to Vladivostock, stopping at several places, mostly towns along the way, but also at Lake Baikal; which is the oldest and deepest lake in the world and holds 20% of the world’s fresh drinking water. And there are plans to put in a pipe-line.

Then we went on to the PJSM, where Irakli was playing with Philippe Pletan (bass), Eric B sousaphone), William Conquy (piano), Didier Dubois (cl), JCl. Obeste (trbne)and Sylvain Glevarec on drums.

The next night was the High Society Jazz Band,with Daniel Barda, William Conquy, Gabriel Conseca, Guy Champegne (cl), Irakli, Francois Cottin on drums, Frederic on sousaphone, a guitar and Pauline Atlan, a vocalist.

And tonight it was the Southern Stompers, with Francis Quettier, Sandric and Irakli Davrichewy, Gabriel Conseca, and Alain Marquet and some others.

 
25.10.05
Sunday was the concert at Garenne Ccolombes. It was held in aid of the musicians of NewOrleans. Over 130 musicians were there and there were probably a further 200 spectators there constantly throughout the day, because the concert went on from 11 – about 10 at night, (I left at about 8, because I was offered a lift) It was almost non-stop music the whole day, because there were two podiums, which played alternately, 20 minutes on and 20 minutes off. I lost my voice, and I spent most of the next day recovering. However, I did venture out again in the evening to see Alain Marquet’s new trio, well, it can’t be that new because they were selling their new c.d. called ‘swing in Montmartre’. (clarinet, bass and guitar).

Today, my voice has come back sufficiently to meet a friend for lunch – at ‘au gourmand’ and “ more this evening in the Place de la Bastille.

On Sat. evening Chris was in Paris on business and his friend invited me out, what an interesting couple with a beautiful old house near the Hotel de Ville, where people stroll around cafe-hopping or meeting friends. The conversation was so interesting – and I can only remember one little anecdote; Catherine de Medicis built the beautiful church, St. Germain l’Auxerrois. When she had finished it, she went to a fortune teller, who said she would die with the sound of Auxerrois, so she hastily packed and left Paris. Years passed, Catherine grew old and fell ill. As she lay on her death bed, a priest was called to administer the last rites. Cathine asked the young man his name, and the answer was ‘The Abbe of Auxerrois’ – and Catherine died.

 
21.10.05

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I thought I’d take a trip to Montmartre to see the Canadian accordionist that I had met at the SERVAS evening, were I was put in touch with a couple of interesting people. I took the wonderful Montmartrobus, which corkscrewed its way up the steep hill and deposited me on top just behind the huge white bulk of Sacre Coeur. I went to the place de theatre. Needless to say he was not there, and it really is difficult for me to sight-see there. However I read the ‘historic Paris’ board describing St. Pierre de Montmartre. A temple was erected there in the 5th. century; and by the mid-11th; century it was given to Louis VI in a ruined state. In 1133 the Benedictine monks built St. Pierre. It is simple and spacious, fairly high with vaulted arches, the height adding to the feeling of space, and with beautiful stained-glass windows. There are two large heavily carved doors – in metal, although it looks like wood, with a third which is even more unusual as it includes spaces in the pictures.
 
11.10.05
Yesterday I was late for an interesting sounding guided walk along the oldest street in Paris, the rue St Martin. So instead I went to the Dada exhibition in the Pompidou centre, the best thing, for me, was the early films of Hans Rutter.

Afterwards I did something stupid (although perfectly safe.. I forget how solicitous (to put it kindly) the French are-sometimes) I was in a hurry and started to nip across a road, although I wasn’t at the lights. Unfortunately there were 2 steps to the pavement, and by the time I had negotiated them the lights had changed, so I had to wait at the side of the road. A Frenchman came up, wouldn’t listen to me, and wouldn’t let me cross next time the lights were red. By this time 2 more people had joined the scene, and eventually one compromised and pushed me over. While I went to the loo, the first Frenchman phoned the police, and then refused to let me go on to my concert at the church of St. Julien-le-pauvre until the police arrived, which was fair enough, but he then left; while the police kept me there for half-an-hour. I was late for my concert, of course, which turned out to be marvellous; it was Herbert de Plessis playing Chopin and Lizst. I then went on to one of my favourite restaurants, Aux 3 Bourriques, (rue de grands degrees) It is good, not expensive; but classy enough to invite friends to.

 
6.10.05

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My day had some ‘nasties’ in it. Just before going for lunch I checked my emails, and discovered that the deposit had not arrived in Australia for the purchase of our club. So I did what I could and then, to calm me, indulged in a glass of very old ‘pineau de Charentes’ which, together with another marvellous meal had the desired effect. It really is an art to write these poetically truthful descriptions. I had 'veloute de salades maraicheres, girolles poelees, cuisses de pigonneau de Vendee confites au sorbet roquette' followed by 'dos de St. Pierre dore sauvage de l'Atlantique, les derniers haricots verts et beurres de potager, grenailles de Nirmoutier et lentins de chene poelees, emulsion a la citronelle'

In the afternoon I tried to get into Google but couldn’t. Computers can be so maddening
Admittedly I am not very technological nor am I dexterous manually and it is infuriating to be left hanging on the end of a telephone, but the people at ‘Euro-spot.com’ all seem to be really patient.

In the evening I was nearly late. For a jazz evening on board ‘La Balle au Bond.’. I was so glad that one of the musicians, Philippe Souplet (pianist) told me about it. I also knew the two other musicians; Jimmy Donange (clt, sax, s.sax) and Eric Luter (tmpt, vocals). He sang the most wonderful rap tune . They all did marvellous solos, and Philippe did two solos by Willie ‘the lion’ Smoth, including ‘Rippling Waters’. It was a most enjoyable evening.

On Tuesday evening I went to the monthly group meeting of SERVAS. I asked where I could meet people to talk French. They explained that it was difficult at this time of the year but Claire took my name and contact details, and soon I felt the power of SERVAS. The regional coordinator was contacted, he e-mailed all the other coordinators in the region, and on both Saturday and Sunday I met people I could talk with. Very interesting people too. I have found that in England too, nearly everyone I’ve met in the organisation, (including travellers from other countries) has been interesting and lively. Apparently the numbers are going down, so I really hope that all the countries can agree to finance projects aimed at the younger sector . There is to be an international meeting in Rome in April of next year.

It was a wonderful weekend weather-wise, and on both days I went to the Luxembourg gardens. On the Sunday Alex and I joined a guided walk round the gardens, where I learnt abit more about the gardens. In the summer there are up to 60,000 visitors a day!!!

In te semi-circular bit in front of the Senat Louis Philippe had statues of 20 queens or near-queens erected? One thing I’m still not sure of is the nomenclature: the building that everyone calls the Senat is apparently the Grand Luxembourg, and the Senat (governing ommittee) occupies that building.

 
4.10.05

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Today I went on a very rare walk with a group led by Jean Pierre Baralle round the village of Charonne. It was in the 20th. arrondissement and very hilly, with lots of steps and cobbles, but everyone in the group was very helpful pushing me around, and my thanks to Jean Pierre for going slowly up the steps and carrying my chair up for me. I certainly saw some parts of Paris that were completely new to me!

We met at the metro of the Porte de Bagnolet on the bd. Mortier. Shortly afterwards we went up a long, steep flight of steps built into a hill and emerged in rue Irenee Blanc where there is a very desirable and sought after housing development built between 1908-20 by the Compagnons de Paris. There are 450 houses, and although small; they all have a toilet, which was pretty evolutionary in those days. Some houses have put in a garage, and none have gardens although there is often a tree or two in front of the house. Then down more steps, along the rue ‘la capitane Ferrer’ and into the ‘place Edith Piaf’. Because she is very famous, everyone wants to be associated with that fame. We learnt of three different versions of her birth, and when the Hotel de Ville mounted an exhibition of her a year or two back, there was yet a fourth!

At the beginning of the last century the population was 700 and by the 1960’s it had risen to 170,000. It was a very rural arrondissement as is seen by some of the street names- e.g. r. des clos, rue des Guinguettes. There was very little tax on wines, and consequentially many wine merchants lived there. Along the ‘rue de Bagnolet’ to the ‘Pavillon de L’ermitage’, passing through the ‘Sq. Brousse’ the 17C the Chateau of Bagnolet was built. It is long gone, but the Pavillon remains, though it does not seem to be used for much these days, receptions and seùinars.

Then we came down ‘rue des Balkans’ and saw the ‘Sq. des Gres’. We passed a convent which was no longer there but over the arch at the entrance is a head of Mercury – odd choice for a convent! Now there are gardens and social housing. The singer Barbara (who sang with Jacques Brel) lived near here. She was left-wing, a friend of Mitterand and against AIDS. (It had not yet become a ‘popular’ cause among celebrities. She is buried in the cemetery of Beaune.

We also saw two churchs; the 15C. St Germain-de-Charonne, which has lovely windows but which can only be reached up a long and steep flight of steps, and the not very attractive modern church of St. Cyril, built at ground level, so the story goes, so that coffins would not have to be carried up and down the steps! We went round the back of the church to the cemetery where Breziac was buried in 1945. The Malraux mother (1910-44) was buried in the same tomb as her two sons, who were both tragically killed in a car accident (1943-61). The road behind te cemetery is the cemin du parc de Charone; where Louis XIV came with Mazarin, and were there is an underground reservoir.

We finished up the station, the line was built built from 1922-30, when it fell into disuse with the advent of the metro. There has been debate ever since as to what to do wit it, and it has finally been decided to turn it into a cycle track (I am pleased: Iam a SUSTRANS supporter. They have been doing this in Britain for at least 30 years.) The station is now a café/restaurant and also hosts spectacles.

I omitted to mention that at St Julien-de-Pauvres I was given some publicity leaflets, and I see Hubert de Plessis is playing Chopin, Lizst and some Hungarian rhapsodies next Monday.

 
1.10.05
Paris is so interesting. At jazz last night I heard that on Sunday 23 Oct there is to be a huge, all day concert in aid of the musicians of New Orleans.

The next day there was a concert of medieval music on in the Cluny museum but I went off to jazz, going back to La Pibale, but unfortunately Bruno wasn’t there to dance with me – anyway, I did not like the music at all, so I went to the Petit Journal which was good.

2/10 Sunday. I went to Le Parc aux Cerfs for lunch, had a delicious entrée, which was a duo of ecrivisses and crevettes, on a bed of shredded cabbage with ‘julienne’. And tonight I went to Les 3 Bourriques, (the 3 donkeys’!) where I had salad and snails!

Tonight I thought I’d go to a concert of Ave Marias in the oldest church of Paris, St Julien-les-Pauvres. What a beautifully pure voice, and so true, even without any accompaniment, although most of the tine she (Edwige Bourdy, soprano) was brilliantly accompanied by Philippe Alegre – what a wonderful surname to have Imagine being called Joy Alegre! (Or might that be a bit much?
)
 
25.9.05

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I caught Claire Martin with Sir Richard Rodney Bennett at Pizza on the Park (PoP) It was so very polished, natural performance. Then, on Sunday, and unusually, there was lunchtime jazz at Pizza on the Park. It wasn't exactly to my taste, but the two singers, Yolanda Quandt and Vincent Maiolini, had voices that really blended most mellifluously. (Good word, that!)
But in the evening there was a concert given by the Ken Colyer Trust. That is New Orleans jazz, so I knew it would be to my taste, and it was marvellous.

Even my cynical husband Chris had his eyes closed in enjoyment! It was in memory of the Crane River Jazz Band. There were eight people playing, ably compered by Mike Poynton. Perhaps the three best were:- John Crocker, clarinet; Allen Beechey on cornet and David Browning on piano.

Monty Sunshine was in the audience, not only was he one of the founding members of the Crane River Band but he really came to national prominence while playing with Chris Barber.
Tonight I an going to a play-reading, and on Thurs there is a lunch-time meeting of the Ken Colyer trust.


 
14.9.05

I had lunch in my favourite (no,that is silly, there are so many good-verging-on-excellent restaurants that I couldn't possibly decide on one favourite, but it is among the top ten.) It never fails to surprise me that it isn't more crowded because the food is cooked to such perfection, with delightful and unusual flavours. For example, today I chose "crème de haricots coco blancs,saumon legerement fume en tranche epaisse, tiedie, basilic, tomates, pistou d'orties sauvages' It was one of Cristophe's masterpieces, simply delicious, and quite unlike any ordinary taste. Au gourmand, 22 rue de Vaugirard, Paris 6, Tel : 01 45 26 26 45
Closed Sat. & Mon. lunch, all day Sunday.

 
11.9.05

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Today I went on an 'exceptional and breathtaking' walk around Chinatown with a former Buddhist monk who knew his way round these spaghetti tower-blocks. And spaghetti tower-blocks they were, diving through sombre car parks at the base of a tower, up an escalator to a first floor urban park (concrete), open to the air but completely surrounded by tall 25-storey tower-blocks. There are shops and restaurants; and even a couple of temples. We didn't cover a great distance on the ground, everything was cleverly arranged in layers and I found it quite easy to get around - mind you, I did have willing helpers to carry my chair up or down steps if there wasn't a ramp. We met at Tolbiac metro station , and set off down the rue maison blanche into the avenue de Choisy, where we saw perhaps the most famous and prosperous restaurant owned by a Mr. Szuen , whose business is doing very well, he owns 2 Mercedes, in spite of not speaking a word of French. Lots of shops all along this street, including one selling little teapots. On as far as the rue de pointe d'Ivry where we saw the pretty little church of St. Hippolyte, and a typical one-storey house of old China. People from Cambodia were the first to settle here, (in 1956?) and at the time of Pol Pot a lot came. There are three newspapers, but one is the official PCC so one has to take care what to believe when reading them.

The guide spoke very quickly, and I was not able to catch more than a word or two at a time. Tai Chi and Chi Kung are both practised in the jardins Beaudricourt. He spoke a lot about Buddhism. The first temple we went to was mainly for Buddhism, although Taoism is practised as well. There are 406 'sutra' or 'rules' (I think the English word is 'mantra'). To follow the path truly, one must go through 3 or 4 stages, the first 2 of which were suffering and ignorance. The two main paths of Buddhism seem to be morality and wisdom. It was on the fist floor of ' Avenue d'Ivry, in the 'Amicale des Taochew something. One removed hats and shoes as a sign of respect.

The second temple we visited, which had a relaxed, family-like atmosphere to it, welcomed all three main schools of thought, Confucianism, Taoism and Buddhism. Our guide dismissed it rather pejoratively as 'l'art divinatoire'. There seemed to be 3 acts: praying or beseeching the gods for something, which involved lighting a bunch of joss sticks and shaking them at an altar; shaking a bunch of sticks in a box and seeing which number was written on the one that dropped out and shaking and throwing a couple of stones, like dice; These stones represented the Yin and the Yang.

Rice and oil were offered, and twice a month this was given to the poor. The people who live in this area are comparatively wealthy, but there is a high proportion of 'Sans Domicile fixe' or homeless people in the area. There are ping pong tables provided (you have to bring your own bat and ball), likewise for chess. This is common in every park in Paris, where the population is really cared for; However, it is not all sweetness and light, there are two Triad gangs.

 
27.7.05

When I left school I went to France for a year. Jacques Brel had died shortly before and his songs were played often, consequently I knew them and when I first heard Barb Jungr she sang them really well and movingly - in English. which I had not thought possible. So when I saw she was singing Presley (another of my heros) Chris and I went out for a rare evening together. It took a long time to get round to the Presley songs, she sang Dyllan songs first, which was an added bonus for Chris.

The first Presley song was incredible, Heartbreak hotel was sung in a whisper, it was really moving and you could have heard a pin drop. By the end of the show she had everybody joining in the spirituals.

On the Monday I went to see Claire Martin. I had heard her quite often before, but after that wonderful evening…..Anyway, I needn't have worried. I enjoyed the evening as much - both the songs and Claire's wholesome, infectious, upper-middle class brand of humour that I went back the following night, when Ian Shaw was in the audience, so sang a love duet with her. I had found Ian Shaw a bit prima-donna-ish before, but they were absolutely WONDERFULLY SUPERB together. So the next night I went back again.

For the next two nights I will be at the Pizza Express (Scott Hamilton, with Steve Brown, Dave Green and John Pearce, I hope, Then off to Scotland, to see relatives, and go to the Edinburgh and Nairn jazz festivals.

 
9.7.05

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I came back from Australia on Thurs. mid-afternoon to discover there had been bombs in the underground, NO public transport and crowded roads, it cost me £100 pounds to get home by taxi. That evening London still had a transport system in chaos, Allan Beechey and his Bright Stars of Jazz had cancelled because so few people would have been able to come. The next evening London still seemed to be closed to traffic again, and I missed Renato d'Aiello.

However, by Saturday the transport system seemed to be working practically normally again, and I was able to take the Tube to Paddington where I caught the train to Hereford, were I spent a marvellous weekend..(30 degrees C), I stayed in the lovely village of Sutton St. Nicholas, who are trying to raise money to build a local village hall/community centre. The day I arrived was the day of the village fete, when they were hoping to raise several hundreds of pounds. There was a friendly barbecue after for about 30 people, with salads, hamburgers and/or sausages and delicious desserts. The following day was so hot that we lolled in the garden (beautifully kept), read the papers, gorged ourselves on roasted chicken cooked with herbs fresh from the garden, followed by a large bowl of deep-coloured cherries. And that evening! The raison d'etre for my trip - a visit to the Courtyard theatre in Hereford to see the Big Chris Barber Band! (not to be confused with a Big Band). It was wonderful - gosh, Chris Barber has aged well It must be the joy of that jazz, there are quite a lot of French musicians of over 80.
 
3.7.05
The next day was a brilliant day - it had finally stopped raining, and Derek drove me out to have lunch with his mother, Daphne. She had invited me out for lunch to celebrate her birthday (two weeks ago, but bad weather intervened.) She told an amusing anecdote- one of her friends, an Englishman, had complained after a morning's rain, and was told firmly by Daphne that Australians did not complain about the rain! We drove past the Ewan Maddock Dams to Mary Cairncross corner, where we saw a wedding photo being taken - goodness knows where the wedding was, I never saw a church, but the photo was very striking, eight young people, the bride in white, the bridesmaids in a deep purple, and the young men in suits, silhouetted against a wonderful valley view of the hinterland with the picturesque stacks of the Glasshouse Rocks in the background.

We had lunch in a superb restaurant, (unfortunately beside a noisy road, but with a good view and wonderful seafood). It has cottages as well. The Terrace, Mary Cairncross corner,
Landesborough/Maleny Road, Queensland 5662, Tel 07 5494 3700.

 
1.7.05

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It's Martin's birthday today. Had a very good lunch in La Porte Verte (the Green door) with Marie, Sylvia and Teresa. Went to the Brisbane Jazz Club to hear a band with a title I can't remember exactly - 'super fun happy slide experience' or something! Anyway, it wasn't really to my taste, so I moved on to the Lab bar, (excellent food) where the Mystery Pacific were playing, and they were very good - one of the first tunes after I came in was Honeysuckle rose', a favourite in Paris.
 
26.6.05
On Thurs night Derek and I went to 152 Oxford to heat the Martinis. The food is quite good.
On Fri night I went to the Brisbane Jazz Club (BJC) where the Swing Chronicles were playing, and a demonstration was given by two swing dancers, Mark and Diane, who were absolutely fantastic.

Last night I went to the Lab Bar in the Conrad Hotel by the Treasury, on Williams Street. Ingrid James was on piano, with Nigel Sherlock accompanying her on the Spanish guitar. Ingrid had a lovely, pure voice Then I went straight on to the Brisbane Jazz Club, where Kristine Kelman had a lively band, backed by Matthew Christiansen on sax, Peter Walters on bass, John Reeves on keyboard and Richard Seymour on drums. I left well after 12 - and the BJC put on a special barbecue-breakfast on the last Sunday of every month, so I was back there the following morning. The cooking is done outside, with the bells of St. Johns Cathedral; ringing merrily while the melodic Butcher bird tries vainly to compete. And the rhythmic runs of the guitars (gypsy jazz) are in the background! Derek was more or less on time to pick me up, then we drove down to Southport to collect Theresa, then on to the Hyatt Hotel in Sanctuary Cove. Catriona Cross was singing there, with a piano and bass. I especially liked her rendition of Miss Celie's Blues. The show was outside, which was where we ate - a magnificent buffet, with scavenger ibis wandering tamely around, and the cheeky butcher biird perching on chair backs. The whole time was so pleasant that we decided not to dash over to the Casino to listen to another singer., who happens to be president of BJC.
 
23.6.06

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It is just so exciting being here, Derek and I are still sniffing round property, Marty and Michiko come for 2 days at the beginning of July before I leave, we are going on a bushwalking tour, to two restaurants and having a party! I got a tick from the horse-riding! But its out now.
 
10.6.05





















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Brisbane

Well, Derek does seem to think along the same lines as me, and I really think we'll make a success of this jazz club venture, we just have to find a site within our cost-ceiling, which is proving hard. But nothing is impossible……..Derek is in touch with a developer who has some bright (and grandiose!) ideas, including a few other developers who would be able to put up money. But he is very busy, so it involves quite a lot of hanging round.. I have changed my life-style a bit - Australians seem to get up really early, and there doesn't seem to be much night-life without traipsing the streets looking for it, which is not a good idea. Derek works in the morning, and in the afternoon we go and look at possible areas.

Last night we went to a jazz singers jam, only one singer, Melissa Forbes, was really good, although there were several with good voices who showed promise, names I can remember are Joanne Kelly, Catriona Cross, Alan? There was also quite a good male boogies singer who played the harmonica and sang.

Today Martin, my eldest son, and his girlfriend, come from Sydney for four days on a complementary medecine seminar. Derek is driving us down to Southport (with the young, proposed chef of this club) to have lunch at the Green Door, (La Porte Verte), the French restaurant which so impressed me in February. I think I will be going there most Fridays, to meet up with the people I know in Southport (not that there are many, only about 4 or 5).

Continued 21/6

I now go out to Numinbah riding quite often, I have arranged for Martin, Michiko and Derek and me to all go on a bush-walking tour at the beginning of July. I do love the attitude of the Australians, it makes you feel you can do anything.

I have also' been back to Omeros a few times, they are so good. I have 'discovered' their 'bouillabaisse', it is delicious, wonderful, heavenly, ambrosial ETC!

 
01.06.05
A month has passed since I last wrote a blog. I have just been to the States, which was fantastic. Only one thing marred my trip, as it must mar that of many others, and that is the ridiculous extremes the airports go to. I can understand the need for some security, but there just seems to be more and more. First of all it was nail scissors, then my fingerprints were taken, then jackets had to be removed, then shoes. It's a wonder they don't strip search you. Possibly not so many people would travel then. It is all so hypocritical, all these measures would not stop a really determined, clever, well-organised terrorist so they must be there to make travelling as difficult as possible for the traveller. Hopefully it won't last much longer, Americans haven't forgotten the 11th September, but at least they have stopped talking about it ad nauseam.

One interesting fact just learned: to avoid carbon dioxide concentrations rising above 500 ppm (which would melt the polar ice cap and cause a 22ft. rise in the sea-level), the USA needs to build one nuclear power station every two days for the next 20 years. That is a pretty staggering statistic!

 
27.4-1.5


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Blackpool, the scene of the 6th. Annual Swinging Jazz Party. (SJP) I went shopping for some essentials, and was absolutely pleased with what I found, the shop assistants were all friendly, as were the taxi drivers and general public, and there is a large pedestrianized precinct with a huge indoor complex, called the Winter Gardens, which stages theatre, opera, pop concerts, conferences, houses tea rooms and restaurants. Not to mention the indoor shopping mall, the market, the Blackpool tower, the trolley cars and the famous prom.!

Walking about the town is made easier by the way the roads are laid out in the pedestrianized area - in at least one place the pedestrian doesn't even have to step down from the pavement at the crossing, the road comes up a level.

The SJP had a terrific line up, as usual. At least 26 internationally-known names., ranging from Howard Alden, Dan Barrett and John Bunch through to Ken Peplowski, Mark Shane. Len Skeat, Enrico Tomasso, Johnny Varro and Roy Williams. The whole weekend was brilliance, so I'll only name a few things - and judging by the applause they seemed to be most popular generally.

One was Mark Shane's brilliant session on the boogie-woogie and other musical influences on him. I didn't get everything down. Sydney Bechet was an early influence (he composed Bechet's Slow-drag Blues). In Chicago the boogi-woogie was called the rollin' the bass. Ray Charles had a strong influence on him. He went on to play one of Jimmy Yancey's compositions, 'At the window'. Pete Johnson, who played a trio, piano, drums and trumpet composed 'Woo-hoo', which Mark played, followed by Tommy Dorsey's 'Pine Top's Boogie-woogie, then Pete Ihser's (?) 'Just for you', Chuck Berry's 'Maybelline' and finally one written by Joe Turner and Pete Jonson called 'Rag 'em, Pete'. The whole audience gave him terrific applause for that.

Ken Peplowski played 'More than you know' on the saxophone, and Dan Barrett did 'Stormy Weather', which was beautiful.

Bucky Pizzarelli and Howard Alden played a wonderful duet on guitar, with Johnny Varro playing a very swinging piano.

Marty Grosz recounted some amusing anecdotes, and led an extremely interesting tribute to Eddie Condon, which was set up like Eddie's first recording session back in 1927! He played 'Laughing at you', in which the drummer, Pete ? , played while standing up, which Ed Metz tried to do too. In Chicago they played a vaudeville, 'One Step to Heaven'. At the end of that particular set, Ed Metz finished by throwing his sticks into the air.

All the musicians got more relaxed as the weekend wore on; in particular Ken Peplowski and Marty Grosz were full of quips and jokes.
 
25.4-27.4

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Back to London. On Wednesday I met a Muslim girl as a friend, and it gave me a lot to think about.. There is a lot of debate in France about whether or not schoolchildren should wear the veil. This girl was at university, and wore a veil, or scarf, but had such a calm and peaceful face. She came to the Pizza Express with me. Bob Dorough was playing, with a very good saxophonist, Steve Mass(?) I couldn't catch everything Bob Dorough was saying, but he had very kind eyes, and I could certainly make out more than I can of Mose Allison, who is also a singer/songwriter/pianist. He was appearing with Geoff Gascoyne (drums), who is married to the singer, Trudy Kerr, who also made an all-too-brief appearance..

On Thursday I went to the River Bar at Tower Bridge again, to hear Allan Beechey and his Bright Stars of Jazz. I really enjoy listening to them.

Today I am off to Blackpool, where I expect a glittering array of artists, it has always been very good in past years.
 
24.5.05

I do love the way the French are prepared to trust you. On Saturday my credit card wouldn't work for the second time, as they readily trusted me to come back on Monday with the money. Actually, by then I'd been out for lunch to the Parc aux Cerfs and the card worked fine. It was raining while I was at Le Parc, so I went to see Million Dollar Baby with Clint Eastwood which I found totally engrossing, and topical.
 

22.04.05

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The Marais
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First I had lunch at La Table d'Erica, which specialises in Creole cooking! I wanted it not to be too hot - and I wouldn't even have guessed that it was Creole cooking. But the decor was attractive and the food was beautifully prepared - instead of a plain-cut half an egg, there was a beautifully cut lotus blossom-egg nestling in the lettuce leaves. And the lunch menu only costs 12 Euros. Pity the loos are downstairs. La Table d'Erica - rue Mabillon - 75006 Paris - Tel. 01 43 54 87 61.

Then I went on a guided walk, with M. Claude Marti. He is perhaps my favourite guide, he speaks loudly and clearly, is very informative and has a sense of humour. He took us on a 'journey of dreams, into the most beautiful of the private houses and unexpected gardens.' Unfortunately I'd forgotten my notebook, as he didn't allow dicta-phones.

There are five royal squares in Paris, the Place Vendome, Concorde; Dauphin, Palais-Royal and Pl. des Vosges. They all have a statue of the monarch: in the place de Vosges it is Louis XIII.; Marie and Louis XIII had higher houses facing each other, separate bedrooms, not until 1830 did shared beds come in.(large Victorian families. So producing an heir must have been a really momentous occasion then! Not only is it full of chestnut trees, but it has 3 or 4 lovely fountains. It got its name as a bribe for being te first of the royal squares to pay tax.

We walked through one of the houses and found ourselves in an enchanting garden, which is very orderly and it is full of birdsong. Mme. De Sevigny is reputed to have written her famous letters here. Then through into the beautifully carved courtyard of the Hotel Sully. Down rue Turenne, along Ormesson and through the enchanting little Place Ste Catherine. Then the Musee Carnavalet; which used to belong to a Mme. Kernevenoy. Through bad pronunciation this became Carnavalet, and was given to the state in memory of her husband. Now it is used to house the history of Paris, since the great fire of Paris.. The courtyard is beautifully carved with figures representing the four seasons along the north wall, the four elements along the west wall, four deities(?) along the east wall. One entered by the south. We also saw the building which houses the BHVP, or Library of the History of the town of Paris, and; of course, the Archives, which are kept in the glorious hotel de Soubise'

If. You go south on the rue du Temple you come to a friendly bar called La Reinias, which has level toilets. Also, on the rue Beamarcchais, near the Bastille, is La Genie, also with toilets on the level (up one step).
 
21.04.05

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Paris in the 17C was not at all pleasant, but then neither were any other big cities. There was no sanitation and no policing; no street lights, which made crimes easier to commit. A 'cour de miracles' grew up, where seemingly blind people could see, cripples could walk, all the poor, robbers, thieves and scoundrels congregated and where no honest citizen could go. In 1674 Colbert was made head of a department to restore order, and one day Larigny set out to destroy the Court of Miracles. Alone, he walked into it and began to speak to the inhabitants. He told them what he and this new department could so easily do, but, he said, they would all be pardoned provided they all left the 'cour de miracles' immediately. The last people to leave would be made an example of. It took 20 minutes to clear that court!.

We walked to the church of St. Eustache, where we saw a stained-glass window dedicated to the charcuutiers. Apparently the last cure, did not like groups, so M. Moreau was being very careful about speaking quietly. We also saw a recent tableau showing the evacuation of Les Halls; (in 1969?). One shop remains, the B&F which I think stands for 'Boeuf and Farine'. It is now an umbrella shop;
 
20.04.05











I missed the walk I was going on, so went for a walk round St.Sulpice instead. I came across two or three interesting-looking restaurants; including a Creole one. Then I noticed a hotel with a statue of a dog outside it, and I wondered if it was dog-friendly like the Soho Grand in NY. So I went in to ask- and was surprised by exceptionally warm and friendly welcome,. I was given a guided tour, and even offered a drink - with conversation! It is the Hotel Esprit St-Germain, which prides itself on having the friendly, open St. Germain spirit which unfortunately is vanishing; Dogs are welcomed if they are well-trained, and the statue is much loved by local toddlers. The rooms range in price between 260 and 785 euros. The prices left me gasping. But there are several sweeteners; free internet, free library of books, Cd's and DVD's (with facilities to play them in the rooms, and free drinks. At the moment (but I don't think it'll last much longer, it's already well past its 'sell-by' date,) is a replica of a bedroom; made entirely of dough!

In 1971 M. Poilane (a very famous baker in Paris, perhaps all over France) built a bedroom entirely of bread in Madrid for the Daly exhibition (Salvador Daly) In June, 2004, for the centenary of Daly's birth, his daughter made a replica of the room in the hotel. It took 200 hours to make it; 40 kilos of dough for the four-poster bed, and 70 kilos of dough for the sideboard. It has a layer of varnsish to make it last longer
 
16/18.4.05

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After dancing with Bruno last night I decided my foot was well enough to start resuming my usual activities; and I went to a guided tour of the Great Mosque of Paris. We met at the Place Monge, overlooked by an extremely busy café where there is a level toilet. Place Monge was designed in 1820 by Raoul Fleury. It was named after Gaspar Monge, a mathematician. Islam can mean a civilisation, an art or a religion. It was built in the shape of a masturbat, which is like the bottom of a pyramid and a very strong defence. Inside the area of the Mosque are gardens, fountains, a prayer room, a library, a hammam, a tea room and a restaurant. (I was also told there was a school and a hospital, but I didn't see these.) Mohammed forbade pictures or statues of deities, so every surface is covered with a profusion of geometric designs and calligraphy.

On Sunday mornings there is a continuous stream of joggers going round the park. The Tai Chi class has grown! I haven't seen it practised since I was in Hong Kong, and then only by one old man, so I had thought it a dying art.

Then I went to two exhibitions The first one was a small collection of heads, statues and murals, copied with precision from the wonderful temples of Angkor in Cambodia. I was a little disappointed that there were no pictures of the actual temples, but there was a beautiful book to look at. I then went on to the Espace Charenton, in the east of Paris, : where there were about 200 artists of painting, sculpture, woodwork, ceramic, jewelry and clothes, probably more, but those are the ones I remember.
 
15.04.05




I spent this time in London, mainly having maintenance checks done on the alarm, electric doors and me (dentist, physiotherapist etc.) but also no. 2 son, Donald, spent the night on Wednesday, so I am now one step nearer getting those promised photos on these pages. It was fun, he tells stories with expression. I also went to two sessions of jazz; the first was more cabaret, and very poor, because it was just a performance and had no heart in it, the singer even thanked people for applause before there was any.

The second evening I went to see Alan Beechey's Bright Stars of Jazz, they were terrific, as always. These evenings take place every Thursday evening at the River Bar, which is on the south approach to Tower Bridge _ such a scenic location, especially at night with the lights glinting on the water, all the historic landmarks of London floodlit and standing out in the darkness, with the huge, strong, squat stone building of the Tower of London about a quarter of a mile away.

On Friday I was back in Paris again, I went to La Pibale and danced with Bruno!!! Dominique Bertrand was playing the sax.

 
08.04.05

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After lunch at the cafe des delices, I walked down the Luxembourg gardens, past the friendly loo attendant who loves children, exchanging cat miaows with them for fun (they made far more realistic noises!) to the Matisse exhibition which is on at the Senat.

Matisse and Andre Rouveyre met while they were students at the Ecole des Beaux Arts in Paris around 1896. Rouveyre, who was a writer and satirical artist, and Matisse wrote to each other, sometimes several times a day. Matisse felt himself to be somewhat isolated in the south of France during the war. I think Rouveyre was in Denmark, certainly he was there near the end of his life, because while he was still living he gave all Matisse's letters as a gift to posterity to the Museum of Copenhagen, giving rise to the name of The exhibition: 'Matisse - une seconde vie'. Many of the sketches in his letters have never been seen.

Almost one entire wall of the Senat was given over to drawings/paintings of a tree., which he called the birth of a tree in the head of an artist. There is a quote about drawing a tree, Matisse said there were two ways of drawing a tree, by imitation of its physical shape, which was the European way, or by feeling and contemplation, which was the Oriental way.. I think he would hSave used the word 'holistic' if it had been coined.

 

05.04.05





 





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I went on a short walk from the Port-Royal station to the Observatory, guided by Guy Grqngeret, listed in the weekly events magazine We met where three arrondissements meet, the fifth, the 14th. and the 6th/ We were on the fringes of artistic Montparnasse. In the early part of last century there were at least 1600 artists living there; now there are only about 850. We saw the beautiful cloisters of the Cochin hospital, so completely unexpected. Not many Parisians know about them. Cochin was a 'cure' during the reign of Louis X111. It was the second convent of Port-Royal, and the main one was destroyed at the end of Louis X111's reign.. One rather unusual Mother Superior was Angelique Carnot, who had been married formerly and had quite a large family. Her daughters followed her into the convent, and so did several of her nieces. At one time there were 14 nuns from the same family!

We walked through the grounds of the Cochin hospital and emerged on the rue Faubourg St-Jacques, (named for the famous pilgrimage of Saint Jacques de Compostela. Many people still make that pilgrimage today, maybe its my age, but no, one young SERVAS couple we hosted recently had just done a part of it too. The starting point for Parisians is the Tour Saint-Jacques, on the rue de Rivoli.)opposite a more recently built department, which specialised in the treatment of venereal disease. One form, syphllis, is known in France as 'la maladie de Naple' and in Italy as 'la maladie fra ncaise'.

We met up in the rue Cassini, which is where Balzac lived for a time, and where he wrote part of 'Le pere Goriot' in the evenings after his day-work. We passed the Hotel de Masa, something to do with new plays, which was formerly on the Champs Elysees. Then we came to the Observatory, which is the oldest in the world, and sill working today. The architect was Claude Peyrot. Behind the gate is the statue of Neverrier, who discovered Neptune; and the Perlat clock is set into the wall. One of the meridians of Greenwich is Delambre: there is a re Delambre in Montparnasse.

 
03.04.05

















I am in Paris, at the same super little hotel. Htel le Clos Medicis - 58 rue Monsieur-le-prnce - Pari s 75006 - Tel:- + 331 43 29 10 80. Rooms are 145-260. There are cheaper ones, but all the staff here are so nice - pity I find the coffee undrinkable. .

Some people recognise me now, which is really nice, in particular a lot of the musicians
I went to that cheap and cheerful restaurant today, the Pietrô Aliata - and was serenaded by one of the waitresses.

I had lunch in one of my favourite restaurants, Le Parc aux Cerfs (01 43 54 87 83) Afterwards , because it was so close, I went to a conference in the Villa Modigliani given by the Rose-Croix d'Or, or Rosicrucian, on 'la gnose chinois' which seemed to be about philosophy of thought. Paris is so full of interesting things, probably because there is a
Cheap booklet listing everything, and they can be walked to.

Yesterday I was handed a newspaper about the Khatami, who are undergoing religious persecution in Iran, and Maryam Radavi, the tremendously popular elected president of the Republic. But even with her popularity, the religious dictatorship of the mullahs can win by threatening to withdraw their country's support for big business projects.

The night I arrived I went to La Pibale: which is where Le Poulfanc once stood. Bruno is still there, but there are 2 or 3 other men there now as well, so it is much better now that Bruno is not rushed off his feet And Jean Charles, the new owner, is from the Basque country, and cooks some very interesting fishes.

The next night I went back to the Petit Journal where Le Petit Jazz Band was on form, and so were all the boeufz or sand-ins.
 
28.03.05




I had a good week last week, the Scott Hamilton (sax) quartet was playing in the Pizza Express last week so I went along every night; John Pearce on piano, Dave Green on bass and Steve Brown on drums. Also, on the Thursday I went to the National Theatre where Dunstan Coulber was playing (cl/sax) He was accompanied by Nick ? (bass), Clark Tracy (drums) and - John Pearce.! So we both hurried off to the Pizza Rxpress. Apart from that we have had two lots of SERVAS visitors .The first was an American couple, Susan designed jewellery and Arthur practises Chi Kung in relation to healing soft tissue and together they fashioned art work out of metal. The second couple were both educated in chemistry , although only he currently was working in it, Christian was German and Lilian was Brazilian.
 
14.03.05









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Saturday was marvellous, it was super being with a whole crowd of people, and very nice of Claudine to keep an eye on me. The conversation was lively, probably because there were vivacious people at our table. After our meal we went down to the lovely vaulted basement and heard some breathtaking music; wonderful tuba playing by Jean-Paul ?, excellent clarinet, piano and trombone by Gerard Chauvin, Bernard Mercier and the incomparable hauntingly sweet tones of Michel Simmoneau in Wabash Blues. He also played an euphonium extremely well - an instrument which I had not seen before. I told them all of my plan to buy a jazz restaurant in Brisbane, and now I think I know why French musicians are so little known internationally - it's because there is such a good life style in France, combined with the fact that their overriding aim is not to gain wealth, but happiness. So I will have to improve my powers of persuasion!

On the Sunday evening I went out for a meal with Juliet. We chose to eat Italian, and found a cosy, attractive and cheap restaurant at the foot of the Pantheon. Had delicious ravioli in Gorgonzola suce, and just before I left I smelt a delicious smell of garlic coming from a dish that a nearby couple were sharing in true Parisian style, Pietro Aliata ristorante, 64 rue de la montagne SainteGenevieve, 75005 PARIS, Tel : 06 20 9 0 77 12 Pietro Alati is the name of the chef.

 

09.03.05

 

Last night I went to Pizza on the Park, where I heard Judy Carmichael (stride pianist) with guest star Randy Sandke (trumpet) He often goes to Blackpool.. Not only were they both wonderful, it was their first time playing together, which gave an added 'frisson' of uncertainty, and Judy was a very good raconteuse, although one of her stories was capped by Randy Sandke.

Judy, in a Starbucks in London. listened in disbelief as an elderly American, speaking loudly and slowly as though to a foreigner asked the barman; How do you say 'hot chocolate over here?'

Randy was in a Starbucks with his friend. who took the mute off his trumpet and put it on the counter, whereupon the barman asked 'would you like that filled up, sir.'

 

27.02.05

So much has happened, and I don't have time to write it all down. I am now in my last few days in Australia, but I definitely will be back as I am going into partnership over opening a jazz club in Brisbane, which is very exciting. There is still something wrong with my foot, which is a nuisance. I have not done much in Sydney, as I have been trying hard to rest my foot, so I have been mainly staying in my room and watching television. I did receive an email telling me that Jazz Memories' are playing at Jazz Cartoon in Paris on 2 April. So it looks as though I will have one month in London to go to the dentist, doctor etc.
 

14.02.05

 

 

 

 


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It is so hard to get any exercise. This morning there were two ducks enjoying themselves in rhe pool - very appropriate, as it is Valentine's day.

Yesterday I walked to the lighthouse at the end of the Spit, well, I started to, but then thought better of it, as the sun was very strong and my arms were bare. Then another wonderful lunch at Omeros, Omeros Bros, Seafood restaurant, Marina Mirage, Seaworld Drive, Main Beach - Tel. (07) 55 917 222. It is expensive, but worth every cent, and it does do a wonderful 3-course lunch for 29.90 AD.

There is another restaurant, which I have not been to yet, called the Workers Club, where meals only cost from 3 AD! Apparently they make their money from pokey machines, Cafe Marina, Ristorant Italiano, Marina Mirage, Ground floor. Good food, half the price of Omeros, but the food isn't as wonderful..

In the afternoon a jazz ( blues group called 'the living room' played, I enjoyed their music ,and they told me of a jazz venue called the German Club.

 
07.02.05











Gold Coast

As I had badly sprained my ankle and was finding it boring in a hotel, my friend Sylvia suggested that I stay with her - she had an arm in plaster, having badly broken her wrist. Do for a week or two we licked each others wounds, watched the amazing birds in her garden, rainbow lorikeets, sulphur-crested cockatoos, magpie larks and the spotted dove, to name the most common, and went on occasional outings and to restaurants, the best being a visit to the Four Winds restaurant. This is a revolving restaurant at the top of the Crowne Plaza hotel. It has a magnificent seafood buffet (very reasonably priced at about 30 Aus dollars a head. And, of course, the most wonderful view! Then, finding it more convenient, (Sylvia lived upstairs, with no lift) I stayed in a nearby hotel, where I was able to gradually take more exercise without alarming her too much!

I went up for a weekend to the highly prestigious and elite Hyatt Hotel in Sanctuary Cove. It is amazing how a short drive of 20 mins.or so can completely transform your lifestyle. Even the climate seemed different, more tropical. The Hyatt Hotel was built in 1984, and consists of a large, central building with about 5 other accommodation blocks dotted around in extensive and beautifully landscaped grounds. The buildings are all built in traditional, colonial style, with wide, stone verandas and pillared balconies.. There was frangipani and spider lilies all around, wonderful bird song from the butcher bird and others, and that glorious humid heat that you can feel and smell.

 
24.01.05






I had a badly sprained ankle. My friend, Sylvia, had a badly broken wrist, so for a few days we kept each other company. On one of them we took a cruise to Sanctuary Cove and South Stradbroke Island, The Golf Coast is about 42kms long from Paradise Point to Coolangatta. The population is nearly 500,000 and goes up by some 60,000 each year. The biggest industry is tourism, which brings in 4.6 million annually. There are more than 80 kms of canals, which is more than Venice 15 inches of rain falls annually, of which half is at night The temperature ranges from 19-31,and the sea is 22 degrees…We passed through Moreton Bay - so this is where all those bugs come from!. It is the largest protected smooth waterway in the southern hemisphere. There are 365 charted islands in the Bay which is fed by 6 major rivers. From here people set out to the Pacific Ocean where they catch the huge blue marlin. In Moreton bay itself there are dolphins, green turtles and manta rays - which the early sailors thought were mermaids.

Sanctuary Cove, on the Coomera River is one of Australia's finest resorts and most elite place to live. Homes are over 2 million Aus. dollars. The former army hospital ship, the AH Krawaree is anchored there. It is the last surviving ship of five that were built in Tasmania of the Huon Pine, a tree that is now protected. It has a very shallow draft, and so can go in close to the shore. It is owned by the Australian Maritime Charity Organisation, who wish to repair and renovate it to take groups of school children, retires and disabled etc to experience water activities with safety. I asked why they chose to anchor here, and the answerer was "Because there is money here - lots of it!"

Back into Broadwater again, and we went to the north end of south
Stradbroke Island., which is the 3rd. largest sand island in the world. It had a beach that you could drive on. It also has 3,000 'golden face' wallabies, which can only be found here. A lot of this area has been made into a national park, which includes many mangrove islands, as they are crucial to bird and plant life. I subsequently stayed at the Hyatt for a couple of nights, and it was so reminiscent of being back in Hong Kong, where I spent my childhood. Wonderful birdsong, vegetation, and the glorious humid warmth which you can actually feel.

 
22.01.05

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Melbourne is a city of flies and friends, very cosmopolitan . Flies are particularly bad after a rainy spell. I had been told it was the most Europeanised city in Australia, so I was prepared tor the cafes and restaurants, there are as many if not more than in Paris, but did not expect the wonderful arcades. The most beautiful of them is the Block Arcade. An elderly lady, Beth Jackson, used to work here, and has been retained to give guided tours of the Block twice a week. She has a roomful of memorabilia, and knows many fascinating anecdotes but her dates and chronology are a bit confused, so please excuse me .

William Briscoe, (my distant relative?) who sold timber and hardware, came over from England in 1853. 1856 he bought the Block for $18. The first shop to set up business there was Singer's, who sold sewing machines. The Block was then sold to George and George, a draper, and it became a household name in Melbourne. It burned in 1889, and was rebuilt by an architect called David Askew who was greatly influenced by the Galeria Vincenzia in Milan. It as upgraded in 1980 at a cost of 15 million dollars. The beautiful mosaic floors, in art nouveau patterns with the acanthus leaf as the motif were covered with fettex to protect them during WW2 so they are still in extremely good condition. In 1993 Mr. Carney bought it, fighting off international competition

The other good arcade, from the point of view of shopping, not aesthetics, is Australia on Collins St (it only goes straight thrugh the block whereas the Block goes out to Elisabeth St.. There is an excellent caafe for breakfast there, which sells muesli, fruit salad and hpney yoghurt.

I managed to find two good jazz venues in Melbourne:
Manchester Place, off Flinders Lane between Elizabeth and Swanston Sts. Bennett's Lane off Lonsdale Street I think, betweem Swanston and Russel Streets, but I am not too sure as I took a taxi. And of course there are the buskers, there is a lively street life in Melbourne, I went on a Saturday night, it was guitar, (Ed), slide guitar, (Nick), drums and jembies (4 or 5), including one played by a young lady, Clare, who looked so happy. That is the great thing about jazz, the musicians really enjoy it. Apparently Clare also does African dancing.

I also went to the theatre, to see Jacki Weaver, in a play entitled "The Blonde, the brunette and the vengeful redhead". What a marvellous tittle! Jacki Weaver was brilliant, playing 5 or 6 characters in a one-(wo)man show.

Next door to the theatre is the National Gallery of Victoria. I went to see it. What struck me most was the lighting, the paintings were clear and visible,, and I did not catch any reflection on the paintings themselves, a first for me. I had thought it was because I was at a lower height than everyone else. The architect responsible for the lighting was Mario Bellini..

 
09.01.05

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In Sydney Don and I wandered round the Botanics, which are an amazing place. At one of the gates there is a sign saying 'please hug the trees, walk and picnic on the grass, talk to the plants. This park is yours.' A rough paraphrase, but it seemed to typify the relaxed 'no worries' attitude of Australians, together with the assurance of ownership. We saw cacti, ferns, tropical plants, rainforest, flying foxes (otherwise known as fruit bats: huge creatures quite unlike the tiny European bat - very vvisible.) We wandered on, through the Domain, and into the NSW Gallery. Many of the paintings were by Brits, but there were a few stunningly beautiful ones of Australia in the late 19th. C. How empty the country was then!

Going back into town we passed a small dog with a miniature knapsack on its back and then speakers corner, where two men were orating to half a dozen people.

Then the four of us flew to Cairns, There are lots of palm trees about which is nice. I think Cairns airport is among the best. Stayed at the Cairns Colonial Club Resort, which is almost as good as it was 6 yrs ago. Two storey buildings are arranged around the complex, which is like a miniature rain forest. There are two pools and a toddlers' one, two bars, including one where you can sit on bar stools in the water! There are also two restaurants, one, Jardine's, is more up-market. Cairns Colonial Club Resort, 18-26 Cannon Street, Cairns, Noorth Queensland 4870, AUSTRALIA.

We had three brilliant days in Cairns. We went out to the reef twice, both times to Moore Reef, which is extremely large. This involved a more southerly route than I had previously been on, and the scenery on the voyage was truly awesome., going past Fittzroy Island, which looked pretty idyllic and untouched, but I am sure that out of sight, behind the trees, it would have appeared more touristy.

When we arrived at the reef Don and Michiko both dived, and Martin and I snorkelled. I went out with the marine biologist, and saw amazingly clear coral of different shapes and sizes, with brilliantly coloured fish threading their ways around.

The last day Marty hired a car and we drove into the Cameron Hiighlands. We saw the incredible cathedral fig tree. Then on to Lake Barrine, where we had lunch, Marty and Don swam, and we saw the twin kauri trees Two or three slices of one that had come down much earlier had been preserved, I think they were about 1400 years old.. On to Lake Eachan, which is a lake at the top of a hill, (in a volcanic crater?) where we all swam, As there is no water entering it, it gets warmed by the sun all day. We then saw Malanda Falls, where there was a smallish man-made pool which did not tempt us, so we drove on to Millaa Millaa where a beautiful waterfall tumbled down into a pool. Marty and Don both swam, right under the waterfall, and in a small stream leading out from the pool Don found some tiny turtles.. We left Cairns the next day, when I discovered I had reached the limit of my credit card!!

 
02.01.05

I went swimming in the sea on Boxing Day!. We drove down to Berry, where we stayed with Graham and Janet in the Berry Village Boutique Motel and went to some enjoyable restaurants.. From Berry we were able to drive down to Jervis Bay, which is absolutely beautiful, real picture-postcard scenery - green curving buy, silver sands, and near the shore the sea was a clear aquamarine blue. Because no rivers flow into Jervis Bay it is wonderfully unpolluted, a real pleasure to swim in. The Booderoo Botanics and Iluka beach, where we also swam.. Moved on to Mollymook, a small coastal village beside Abadulla, where we ate in a good Italian restaurant in the main street full of happy people. The next morning there were the largest waves that had been seen at Mollymook, according to one local resident. The date was then the 27th December, so it must ave been the influence of the earthquake . The region round there is called by the Aboriginal name of Murramarong. Many of the landmarks were named by Captain Cook when he sailed round Australia.

There do not seem to be as many hospitals in Australia, but there was one at Mollymook. We had lunch in the Pilgrims Café in Mollymook, or Abadulla, where we were in for a big surprise - the café was owned by a university friend of Martin's.

Then on to Katoomba, where we stayed at the Heritage Hotel, at the corner of Apex and Lovell Streets, Katoomba. Tel. 02 4782 2133. which had picture windows in the dining-room with a magnificent view of the Blue Mountains. That evening we ate at a superb restaurant ,Avalon. [PHOTOS TO FOLLOW] The next day we went for a walk at Blavkheath, the guide book had said there was wheelchair access, there was, but the path was rough, not tarmacked, though it obviously had been 40-or-so years ago! Then on to Campbells Rhodedendrons, unfortunately no time to wander around, but it was beautifully maintained. That evening we had a barbecue with friends of Martin and Michiko's,a Nyoki and Nadia, nn exceptionally friendly and welcoming couple. They have a baby called Shen-Say, and there were possums in the garden.

 
19.11.04

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London.

New York. My fingerprints and my photo were both taken before I could get in to the USA. When I did I had to take a taxi and go straight to Birdland to see Dave Ostwald's Louis Armstrong Centennial Band. I just made it, well, I was 20 mins late. A friend from London was there, it was good to see him again.

Wycliffe Gordon was on trombone, Jon Eric Kellso on cornet, and Dan Levinson on clarinet, as well as Bruce ? on banjo and Steven ? on drums.

The next day I had a 'ladies lunch' at the Cajun, although there were some men around. On Thursday at lunch time I went to the O'Donnell library to hear the Gotham City Jazzmen, who were thoroughly enjoyable as usual. Pete Ballot was on trumpet. In the evening there was the Manhattan Ragtime Orchestra, who were thoroughly enjoyable. I bought their c.d. which is now one of my favourites. Jon Eric Kellso was there, Brad Ochiga (on trombone), Skye Steele (on violin) and John Gill (on banjo) On Friday I went to the Cajun again, and saw the Canal Street Dixieland Jazz&Blues Band, including Pete Ballot and Brad Ochiga. Brad told me that Vince Giordiano and his nighthawks are playing at Charley O's on Mons and Tues.


Paris

Clementine
5,rue St. Marc.
A WONDERFUL restaurant. Bright red-&-white checked tablecloths, delicious food, and the friendliest staff I've ever met. (without being obsequious, the French are not obsequious.)And I think the menu was 15-23 Euros, day and night!


 
11.11.04








My last week in Paris this year. On Wed. learnt that in June, 2006, there is to be a traditional jazz festival in Paris, for Europeans only I think. On Wed night I heard the Guillaume Nosseraux quartet, a very young group, who really played swinging music, The pianist was particularly good, Pierre le Bot. I heard Patick Guichard, another excellent pianist, a few days earlier too.

On Thursday Paris Washboard were playing at that wonderfully atmospheric vaulted cellar, the Petit Journal of St. Michel. I think they were better than I have ever heard them.

As I was leaving, I overheard a visiting American say 'I thought I had died and gone to heaven".


 
04.11.04












Last Friday ; after an enjoyable lunch at Au Gourmand; Marie-Therese and I went to the salon de la patrimone at the Louvre. It wasn't exactly what I expected, but I did meet
an Yves Guyot 'A lâ Bonne Heure', place Saint-Genes 63300, THIERS, France, who sold sundiaIs. I rather fancy a sundial in the conservatory.They cost about £500.

We also came across someone doing illuminations. He loved to talk - perhaps o rate would be the better word, because he was convinced that he was right .and did not enjoy interruptions He was also a very devout Christian church goer. He seems to be part of an association of craftsmen, who run day courses, which sounds very interesting. He used sencils, which surprised me. The contact telephone number is in Paris.

Tel: 01 46 73 33 91
Email = unjourunartisan@wanadoo.fr

 
25.10.04

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At the weekend to I went to Le Poulfanc. My wonderful dancing partner, Bruno is selling it, which is a tragedy. But we had a marvellous time, helped of course by the marvellous music of Jazz Carbonic and Bruno and I got a lot of other people dancing too.

On Monday I went the PJSM to hear Gilbert Leraux on the washboard. Unfortunately he was ill, so instead Philippe de Preissac –a marvellous clarinettist, Patrick Guichard, a fantastic pianist and Stephane Nosseira, a terrific washboard-ist, played instead. And Frank Mossler was in the audience. He did some ‘boeuf’, which is particularly strong in France, they have whole ‘boeuf’ evenings (where people in the audience are invited to join the musicians on stage). He was wearing a corrugated iron clip-on tie and with the thimbles on his fingers he was able to join in from the table!

The latest news is that Le Poulfanc is closed for renovations, it will reopen in mid-Novembber under the name of La Pibbale, and Bruno will be the artistic director of the music in the 308 club.

And in January Franck Mossler is becoming the musical director of L’ARBUCI, a jazz club in St Germain-de-Pres.

 
22.10.04

















We met at the corner of the rue Ballu and the rue Blanche, which got its name from when the city limits were just at the top of the road and sacks of gypsum were carried down the street. There were many large gardens here, the most famous being the Tivoli gardens which were destroyed; one of the architects in charge of the rebuilding was called Ballu, and a street is named after him. The house he lived in is 76.

The Societe des Auteurs et des comediens dramatics have their headquarters at 11 bis of which the architect was Brevet or Drevet.. Blemont, a poet who greatly influenced Victor HUGO, is credited with the idea of having a `maison de poesie`, which was at no 11.

Beaumarchais first had the idea of the Societe des Auteurs et Comediens Dramatiques (SACD). In those days there were no rights for authors . In the 19C. laws were passed giving authors more rights. It has a good garden, lawn, trees, shrubs, winding paths and even a pond. In the basement there is a winter garden, with the most marvellous décor of gnarled tree roots completely round the room - I couldn't decide if it was real or not - there were certainly real branches, trunks and leaves there. It would have made a marvellous function room but apparently it is only used by members as a sitting-room.

A princess de Rohan-Rochfort lived at no.22; she was married to the duc d'Angin.
Another thing that I must research, because I got the impression that she had been banished there. At the back of the Villa Ballu is an ELFE building, (French for foreigners) and there you can see the last vestige of the Tivoli gardens.


 

19.10.04

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I finally managed to get my visa for Australia today. The Australian high Commission no longer does it, instead you have to take your passport to a travel agent or air line - or do it online which is cheaper - and it only takes 5 minutes!

Martin and Michiko get back from Venice today, and tonight we have planned to go to Hadley House restaurant, in Wanstead High Street. It is hard to believe that in the culinary desert of East London there is such a good restaurant on our doorstep.
I am thrilled because for the last 20 years I have needed to go to the toilet very frequently. About 2 months ago I visited an acupuncturist, who prescribed herbs. They taste and look foul but they do appear to be working.


 
16.10.04

My eldest son Martin and his girlfriend were over here from Australia. What a romantic trip for her, but also very difficult, as she is Japanese, so a completely different culture. But when I travelled on the tube it alarmed her! I keep forgetting to see it from the other person's point of view. They had six days in London and my youngest son came down from Derby for the day. I went with them up in the London Eye. I enjoyed it, but the main thing I noticed was the children's playground, apart from the usual sight-seeing monuments including the Gherkin. Funnily enough it was featured on television that weekend, when it won the RIBA award. And how much dirtier the Thames seemed from close up. Apparently fish do live in it, so it can't be too bad. Martin and Michiko are having a long weekend in Venice.

Michiko loves jazz, so when Martin was out with his friends she came to the 100 club with me to see the Dutch College Swing Band. The next night I went to the River Bar to hear Allen Beechey and his Bright Stars of Jazz who are always good. Then the following evening, when Martin and Michiko were in Venice, Chris and I met a couple of friends at Pizza on the Park where we heard an accomplished cabaret act, Sir Rodney Bennett and Claire Martin - whom I used to hear in Pizza Express before the change in management.

 






Ile de Re

One of the islands off La Rochelle, it is joined to the mainland by a bridge - a challenge for cyclists, though it wouldn't take them long. There is an airport, which is very small. There are flights between Southampton and La Rochelle/Re. It is a very 'in' place to go, lots of Parisiens have houses/apartments there. We were staying in the house of a friend, a semi-Parisie, in Les Portes-en-Re, right at the far end of the island.. It was wonderful, two villas in large grounds. The beach was quite close, the sea was warm enough to swim in - even for me! I went 11 times. There were lots of interesting pebbles and rock pools, where many inhabitants would fish for shell fish. Thank goodness there were rocks, because there were zillions of sand-lice! Chris, who is getting very interested in Qi Gong, was able to do his meditating in the tranquillity of the garden. Donald was there too, we all enjoyed the good weather, good food and good exercise. A few times we'd cycle over to Ars-en-Re, over the marshland which had been made into a nature reserve for birds, where we went to the large market and to Bernard's Bistrot, a good fish restaurant. We all read 'The curious incident of the dog in the night-time' by Mark Haddon which we all thought good, but I don't want to spoil it for you.

 
Summer
2004
On Sunday Bireli Lagrene was meant to be playing at Ronnie Scott's club, and despite the fact that I was going to be seeing him at the Nairn festival I decided to go, largely because of AJT, Bireli Lagrene had cancelled the tour on Saturday morning, a replacement was found, who was on holiday in the south of France, but he managed to make it to London by Sunday. Anyway, he, Angelo Delmar, was brilliant, backed up by Pete Kubric-Townsend, Steve Kelly (on rhythm guitar) and a drummer. I was able to calm the organiser of the Nairn festival down.

I saw Marcus Printup on Tuesday, who is a wonderful trumpeter - or cornet player, I don't know the difference.

Tomorrow I am off to the Nairn jazz festival, and also seeing quite a few of my relatives, who are scattered around Scotland.

 
05.08.04

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I am starting my on-line journal today. Do give me some feedback I love jazz, particularly what I call happy jazz;. main-stream, swing, dixieland. I think my favourite instrument is clarinet, (Allan Vache, Ken Peplowski, Bobby Gordon, Kenny Daverne, Alain Marquet, Claude Tissendier, Didier Dubois, Jean-Claude Olivier, Stephane Gillot,. Julian Marc Stringle and Dunstan Coulber- oh, and Anat Cohen, who is currently my favourite, with Alain Marquet..)

Bass comes next. *(Len Skeat, Dave Green,, Andy Cleyndert, Alex Dankworth, Jackie Parrot, Jay Leonhardt, Phil Flanigan, Greg Cohen, Heather Birt, Alex Rees Gordon - I think,or Gordon Rees-Brown, he taught music at Eton and I've heard him in the100 club) I never liked the guitar much till I heard 'manouche' (gypsy jazz) in Paris, played by three members of the group AJT. That was Thomas du Tronc, Antoine Tatich and Jerome Crosi. It sounded really angelic, with the melody being picked up by the second guitar and followed, while the third guitar would strum harmoniously in the background. I live in London, and first became really keen on jazz when I rashly said to an Australian band that I would get them a gig in London. Although no-one showed any interest in hiring them, it did at least get me into these jazz venues, and as nothing terrible happened, I began to go more often. But things change, and now I prefer going to Paris, where most of the jazz venues are more intimate, much more emphasis is placed on the social aspect and there is joy, not just among the musicians, but among the audience too. Now I go to lots of jazz festivals, and sometimes just cities, for jazz and what else they have to offer - in most cases, plays, restaurants and galleries.

 
 
 
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